Ritual - trio (Earth) Steve Coleman q = 70

    



E



 

q = 85

   

6

q = 95

   

11

G‹

E¨

  

E



G©‹

A‹

G‹

   

F‹

A‹

         

B¨

   G‹





E¨

 

A‹

C

   

    E

     

B¨

  

Bass simile

  

15

   

A‹

Steve Coleman, Weaving symbolics

C



E¨

F‹

  

               E

 

A‹

C©

G©‹

C‹

 

  

G©‹

  

 

C‹

  

   

C



C‹



   

B¨

   

C©

F‹

A‹



 

C©

 

Swing 16th - - - - - - - - - - - - - /

                 

A‹

G‹

E¨ B¨ C F‹ C©      A‹                            

17

3

  5       

20

G©‹

C‹

  

q = 110 E

A‹

   q = 125

G‹

E¨

  

   

B¨

C



F‹

  

 

   

                      

25

28

G©‹

C



C‹

3

E

A‹

  



F‹ 3

  G‹

E¨

B¨

  

   3

A‹

3

C©

3

© V. Sorel - jazz-transcriptions.blogspot.com

3

A‹

C©

  

     3

 

2

q = 130

3 3 3 3 3 3   3   3                                    

30

G©‹

C‹

E

A‹

G‹

3

E¨

B¨

C

F‹

3

  3                              

32

3

3

A‹

3

C©

3

3

3

3

            

34

3

3

3

G©‹

C‹

3            

3

3

3

3

q = 135

   3

E A‹ G‹ E¨      B¨ 3 3          3                      3 3 3

36

C

3

3

3

3

F‹

A‹

C©

G©‹ C‹

 3  3                              

38

3

q = 150

   

41

  

A‹

G‹

    E

A‹

G‹

q = 200 swing 8th

   

51



q = 180

   

46

E

3

3

E¨

B¨

   E¨

  



3

3

     C

F‹

    

B¨

C



F‹

3

A‹

C©

   A‹

C©

G©‹

  

G©‹

C‹

  

 

C‹

      

                               E

A‹

G‹

E¨

B¨

C

F‹

q = 210 E

A‹ G‹                                     

54

A‹

C©

G©‹

C‹

3

                                       

57

E¨

B¨

C

F‹

A‹

3

C©

3

E A‹ G‹ B¨       E¨                               

60

G©‹

C‹

q = 220

C F‹ A‹ C©                   

63

    G©‹     C‹    etc.   

Ritual - trio (Earth) Steve Coleman



q = 70

 

Steve Coleman, Weaving symbolics

G



 

q = 85

6

 

q = 95 11

 

15

B¨‹

F©

G

 

   

C‹

B¨‹

F©

G



C‹

B¨‹

E¨‹



   

            

  

C‹

3

    E¨

A¨‹

E

B‹

 

  

C‹

E

    

  

E¨

A¨‹

28

 

3







B‹

E¨‹

   3



E¨‹

 

   C‹

E



 

B¨‹

        

 



 

                

q = 110 G

 



q = 125

 

G

C‹

C‹

C‹

B¨‹

 

 B¨‹

   

            3

 



 

A¨‹

E¨‹

5

  

 

      B‹

A¨‹

C‹

E¨

           

E¨‹

Swing 16th - - - - - - - - - - - - - /

  

C©

E

  

E¨

G

 

C‹



B‹

     

A¨‹

C©

E 

C‹

     

 

F©

23

A¨‹

E¨

F©





C©

    

   

 

19

E¨

    

  

           

C©

Bass simile

B‹

17



C‹

F©

F©

C©

     C©

3       

3

© V. Sorel - jazz-transcriptions.blogspot.com

3

 

E

         3

 

 

 

2 30

B‹

q = 130

E¨‹

G

C‹

B¨‹

3 3 3 3                                                3

32

F©

3

3

C©

3

3

E¨

3

A¨‹

3 3                                

34

3

3

C‹

E

3

3

B‹

3

q = 135

36

G

38

E¨

3

3

C‹

3

E¨‹

3

3

              

              3

3

3

3

B¨‹

3

F©

C©

3 3 3 3 3                                        3  3

3

A¨‹

C‹

E

3

B‹

                           3

3

3

3

3

3

3

3

E¨‹

3   

q = 150

41

 

46

G

C‹

B¨‹

 

C‹

B¨‹

   

q = 200

 

54



q = 180

 

51

G

F©

C©

     F©

C©

E¨

C‹

      E¨

    

A¨‹

A¨‹

     

swing 8th

E

B‹

   C‹

E

   B‹

  

E¨‹

E¨‹

  

   

                                  G

C‹

C‹

E

   

B¨‹

B‹

F©

E¨‹

C©

q = 210 G

E¨

C‹

A¨‹

B¨‹

                         3

3 57

F©

  

C©

  

     3

E¨

A¨‹

C‹

E

                         

q = 220

                                   

60

63

B‹

E¨

E¨‹

G

A¨‹

C‹

C‹

E

              

B¨‹

F©

B‹

C©

E¨‹

           

etc.