Hear my prayer, O Lord Psalm 12 v1
SSATB with Organ
S1/2
A
T
B
= 60
S2
A
T
B
Hear my
prayer, O
Lord
- ing
and let my
to thee,
to thee,
and let my
cry
come,
my
cry -
Hear
my
prayer,
prayer,
O
Lord,
-
ing
-
ing
come
Hear
Hear
Hear
my
prayer,
O
my
Page 1
come
un -
thee,
Lord, and let my
my
O
un - to
O
poco cresc.
Lord,
prayer,
poco cresc.
my
un -
come
cry - - - ing
(full)
Hear
'prayer' sung as one syllable
Copyright © 2006 CPDL
cry -
(may be sung as a Solo)
S1
And let my
Henry Purcell
to thee, poco cresc.
and let my
poco cresc.
cry
prayer,
O
Lord,
poco cresc.
-
ing
Lord,
and let my
poco dim.
and let my
cry
-
ing
come
cry
come
un - to thee,
Hear
my
come
un
and let my
cry -
-
ing
come
come
un
-
prayer,
O
poco dim.
poco dim.
-
ing
-
thee,
to
thee,
Hear
my
Lord, and
un -
poco dim.
to
poco dim.
ing
un - to thee,
poco cresc.
-
cry
let my
come
un -
to thee,
and
let my
prayer,
O
cry
-
ing,
to thee,
Copyright © 2006 CPDL
cry
-
ing
come
Lord, and let my
cry
-
ing
cry
Page 2
-
come
un - to
un
ing,
thee,
-
to
and let my
Hear
Hear
my
prayer,
my
O
thee,
cresc. poco a poco
and let my
and
let my
cry
-
ing
cry
cry
-
ing
-
ing
Copyright © 2006 CPDL
Hear
my
prayer,
O
Hear
my
prayer,
O
Lord,
cry - ing come un
ing
come
-
ing
un
come
un
to
-
thee,
to thee, let my
-
to thee, let my
cresc. sempre
cry
- ing
come
un - to thee,
and
come
un
- to
-
un - to thee, let my
cresc. sempre
let
my cry
un - to thee,
come
come
and
cry
Lord,
-
and let my
cresc. poco a poco
and let my
cry
cresc. poco a poco
cresc. poco a poco
come,
Lord,
ing
-
prayer, and let my
cresc. poco a poco
cry
-
-
ing come un -
cresc. sempre
and let my
thee,
Page 3
cry
cresc. sempre
and
let
my
cry
come,
_
to
- ing
thee,
let
cry -
let
my
cry
-
- ing, cry
my cry - ing
my cry
-
-
-
ing
come
un
- - ing come
cry
ing
-
ing
-
un
-
come
ing come, my
come
un
-
Page 4
to thee.
to thee.
to thee.
come
un - to thee.
un
to thee.
Notes: This SSATB version of Purcell's work has been editted from earlier SSAATTBB versions of this anthem, in order to provide a setting suitable for choirs of more modest resources, whilst still retaining some of the essential full-bodied-ness of the 8-part edition. The first soprano/treble line may be omitted if an SATB setting is required.
Copyright © 2006 CPDL