Society Red - Saxovince

Solo Bass 03 Choruses. George Tucker.. Marcial no Swing..... Tenor. Swing. 3... Tpt. 3. 3.. Transcribed & Copied by Chiquinho de ...
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Society Red

Transcribed & Copied by Chiquinho de Almeida

Blues

Doin'Allright 84077 Blue Note Solo Trumpet by Freddie Hubbard Solo Tenor Sax by Dexter Gordon



Marcial no Swing                         

q

= 112



                                        3  Tenor Swing                    3

Tpt.

   

      

    

  

Tenor

Tpt.

 

 

 





3

 

    

3

               

 



3

 

 



    

               3

    

         

 

        

    

   3

      

Solo Feddie Hubbard

1

            

Transcribed & Copied by Chiquinho de Almeida

     

               

2 Red Society

   



      

          3                 3

 

3

3

3

3

3

3    2                            3

3 3 3                         

      

 

3

  



3

                     

    

   

       



      



3

3

      3

3





            





 



 

 















 





      

      

          

Transcribed & Copied by Chiquinho de Almeida

              3                     Red Society

3

5

       

 3            

   

3

     4   3                        

 

                                

  

 



 

5

               

    

                                3

3

3

         

3

3

3

3

3       3 3                 3

        

    



               

                 Transcribed & Copied by Chiquinho de Almeida



    

4

Red Society 6



                

     

 

3



      

  

 3

3

                   3

 

                 

                 

            

          Swing                 

3   3     

Solo Tenor Sax Dexter Gordon



7 Tenor   Tpt.

No Swing

 

         

3

          

3





          



 





      3          

                   Transcribed & Copied by Chiquinho de Almeida



    / 0  

8



    



Red Society



                 

           

5

3

              3

                             3

                           3

3

   3                                              

 



3 3         

     

9

3       

  3                     3



3

3                    Transcribed & Copied by Chiquinho de Almeida

                    

             

6 Red Society

3

11 3              

     3       

3

  

   3  



  

3

         



       

   

3



                                                    

 

 

     

12

       3

  

             3

 Harmonic/Open                         3

3

             3

        

              

Transcribed & Copied by Chiquinho de Almeida

7

                               

Red Society

3

 3                     3          3                         

13

                             3

                                                          3





  

3

                        

        14 3                          Transcribed & Copied by Chiquinho de Almeida

8 Red Society





                      

        

  

       3



           

           

       

                                      

 



 

  

    3   

      3       15            

           

   



   

                                3

                                  Transcribed & Copied by Chiquinho de Almeida

Red Society



    

                             

             

16

 

   

9

             

 3      3                                    delay

                   

3

 

3

3

 

         

            

                            

3





17

     

 

         

                          Transcribed & Copied by Chiquinho de Almeida

     



10 Red Society  

 

    3                        3







3    

18







Solo Piano 05 Choruses Horace Parlan



Solo Bass 03 Choruses George Tucker







                  Marcial no Swing

           



          

Swing Tenor                                  3

3

  

         

     

    

   

Tpt. 3

 

       

3

             

Transcribed & Copied by Chiquinho de Almeida

 

11

Red Society

          

      

 

  

       

 

       

3

      

Tenor

3

    

Tpt.



   

 

3

 



  

Tpt.       

  

Sax

Base Theme G7

13

                     



C©7

9

9

C7

G7

13

                         A‹7

 

 11



D7(#9)

  

(b13)

C‹7

  

   G7

13

   

D‹7

  13

C©7

    

13

C7

 

G7

13



(b13)

C7(#9)

    

E7(#9) (b13)

  

 

13

F7

    

12

     13

B¨7

Gmaj7(b5)/C



  

   

D‹7

 

F©maj7(b5)/C



C‹7





C‹7(b5)

 



D‹7

G‹7

13

C7

   



C‹7

F‹7

G7

B¨‹7

13

E¨7

 13

             

Base Improv. 13

13

G7



  C7

C7







13

13





G7



A7(b9)



D7(#9)





G7

 

 (#11)



E7(#9)

A7(b9)



Dexter Gordon,Tenor Sax Freddie Hubbard,Trumpet Piano, Horace Parlan Bass, George Tucker Drums, Al Harewood Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on May 6, 1961

www.chiquinhodealmeida.com [email protected] [email protected] 55 11 9998 0365 / Nextel 7755 3767 ID 55*100*56049



13

Doin' Allright 84077 Blue Note

Transcribed & Copied by Chiquinho de Almeida

C©7

E7(#9) (#11)

13

13



13

13

G7

D7(#9)

