NTNU Background and Contributions
Music Technology Group prof. O.K. Ledang, ass.prof. J. Tro, ass.prof. C.H. Waadeland
Faculty:
ARTS
SSTM
IME
Depts.:
music
sport
Electronics and telecom.
Group:
performology
Responsible: JT/CHW
musicology
gesture lab
acoustics
DSP
OKL
CHW
JT
JT
SSTM: Social Sciences and Technology Management IME: Information Technology, Mathematics and Electrical Engineering
NTNU Background and Contributions
NTNU – ConGAS WG1 relation
Music Technology definition: … development of technology and procedures connected to methodology, composition, performance, perception, processing, analyses and synthesis of music. Relevant experience: - DAFx - MOSART Task 3: Control and Virtualization of instruments - Gesture controlled instruments - Performology studies; signal and gesture analyses
NTNU Background and Contributions
ConGAS related publications; C. H. Waadeland
[email protected]
Waadeland, C.H.: Trommeslåtter- en trommeslagers skattekiste (book+MC). Trondheim: TIMA Forlag, 1991. New release 1998: Book+CD. An exciting Norwegian drum tradition is presented, with musical notation, and historical and pedagogical comments. Waadeland, C.H.: Rhythmic Frequency Modulation – A New Synthesis of Rhythmic Expression in Music. DIDEROT FORUM on Mathematics and Music. Computational and Mathematical Methods in Music (pp335-350). 1999, Vienna. Waadeland, C.H. & Saue, S.: Computer Implementation of Rhythmic Frequency Modulation in Music. Proceedings of Digital Audio Effects Workshop (DAFx99), Trondheim, December 9-11, 1999. Waadeland, C.H.: Rhythmic Movements and Moveable Rhythms – Syntheses of Expressive Timing by Means of Rhythmic Frequency Modulation. Dr.art. thesis. Department of Musicology, Norwegian University of Science and Technology (NTNU), 2000. Waadeland, C.H.: Modulated Rhythms – A New Model of Rhythmic Performance. Proceedings of the Sixth International Conference on Music Perception and Cognition (ICMPC), 2000. Keele, UK. Waadeland, C.H.: ”It Don’t Mean a Thing If It Ain’t Got That Swing” – Simulating Expressive Timing by Modulated Movements. Journal of New Music Research 30(1), 2001, pp23-37. Waadeland, C.H.: Movements in Rhythmic Performance of Swing in Jazz – Report from an Empirical Investigation. In A.M.Fiskvik & E.Bakka (Eds.): Dance Knowledge. Proceedings 6th NOFOD Conference, Trondheim January 10-13, 2002, pp193-199. NTNU. Waadeland, C.H.: Analysis of Jazz Drummers’ Movements in Performance of Swing Grooves – A Preliminary Report. Proceedings of the Stockholm Music Acoustics Conference, August 6-9, 2003 (SMAC 03), Volume II (pp573-576). KTH, Stockholm. ISBN 91-7283-559-1
NTNU Background and Contributions
ConGAS related publications; J. Tro
[email protected]
Tro, J.: How Loud is Music? Experience with Evaluations of Musical Strength. Invited paper. 1st International Conference on Music Perception and Cognition (ICMPC). Kyoto, 17-19 oktober 1989. Saue, S. & Tro, J.: MIDI-based Analysis of Music Performance. Studia Musicologia Norvegia, University of Oslo, 1990. Tro, J.: Measurement and Evaluation of Musical Dynamics. Invited lecture. Center for Music Experiment (CME), University of California, San Diego, 24 January, 1991. Tro, J.: Piano Performance. Precision and Variation in Phrasing - Timing and Dynamics. 2nd International Conference on Music Perception and Cognition (ICMPC). Los Angeles, 22-26 February 1992. Tro, J.: Perception of Micro Dynamical Variation in Piano Performances. Stockholm Music Acoustic Conference (SMAC-93), Stockholm 28 July - 1 August 1993. Tro, J.: Music Technology: Between Artistic Intention and Perception. Invited lecture. Music – School of the Arts, University of California, Irvine. 3 June 1998. Tro, J.: Micro Dynamics Variation as a Measure of Musical Quality in Piano Performances? 5th International Conference on Music Perception and Cognition (ICMPC), Seoul, August 26-30, 1998. Cont.
NTNU Background and Contributions
ConGAS related publications; J. Tro mailto:
[email protected]
Tro, J.: Evaluation of Performance Precision in Piano Chords. Forum Acusticum, Berlin, 14-19 March, 1999. Tro, J.: Data Reliability And Reproducibility In Music Performance Measurments. Invited paper. Westprac VII Conference, Kumamoto 3-5 October, 2000. Tro, J.: Control Aspects, - Keyboard precision and Efficiency. Invited lecture. Gesture Workshop, Centro Tempo Reale, Firenze, 30th April 2001. Tro, J.: Measurments, Control and Presision in Music Performance. Invited paper. Structured Session “Recent Trends in Basic Psychophysics and Their Application to Acoustics”, 5D.14.03. 17th International Congress on Acoustics, Rome, 3-7 September 2001. Kristiansen, U., Støfringsdal, B., Svensson, P. & Tro, J.: Performance Control and Virtualization of Acoustical Sound Fields Related to Musical Instruments. Musical Orchestration Systems in Algorithmic Research and Technology (MOSART) Workshop on Current Research Directions in Computer Music. Audiovisual Institute, Pompeu Fabra University, Barcelona, 15-17, November 2001. Tro, J. (ed.): Control and Virtualizations of instruments. IHP Network HPRN-CT-200000115 MOSART Midterm Status Report. Task 3. http://www.diku.dk/musinf/mosart October 2002. Tro, J., Bjerkvik, A. & Kristiansen, U.: Flute performology; Statistical Analyses and Numerical Simulation of Flute Tone Excitation. Proceedings of the Stockholm Music Acoustics Conference (SMAC03), August 6-9, 2003, Stockholm. Tro, J.: Temporal Continuous Sound Stimuli; Experience in Measurments and Subjective Evaluation of Stimuli in a Musical Context. Invited paper. Structured Session, 18th International Congress on Acoustics, Kyoto, 4-9 April 2004. (in preparation)
NTNU Background and Contributions
Future plans: Research and supervision of
projects, Masters and Ph.D’s in gesture and control emphazising drummer’s gestural performances (CHW) piano, flute, ensemble performance analyses (JT) Jew’s harp; playability, control and sound effects (OKL) General signal based instrument and ensemble control analyses (Performology Research Program)
