Micrografx Designer 7 - EricsLotus.dsf

Repeat on the opposite side, being careful to not let the model unfold as you do so. This is a blow-up of the creasing pattern between steps 12 & 13, note that a.
241KB taille 2 téléchargements 258 vues
E r ic 's L o t u s I n t e r m

e d ia t e

?  "

E r ic B e r g m a r k - P o r t la n d , O R

F o ld t h e m o d e l f r o m t w o s h e e t s o f K a m i, o n e g r e e n t h e o t h e r " p e t a l" c o lo r e d , s t a r t in g w it h t h e " p e t a l" s h e e t . T w o 3 " s q u a r e s p r o d u c e a m o d e l a p p r o x im a t e ly 2 . 5 " x 1 . 5 " . U s e o f 6 " s q u a r e s is s t r o n g ly r e c o m e n d e d f o r f ir s t t im e r s a s t h e m o d e l is m u c h e a s ie r t o m a n ip u la t e in la r g e r s c a le , b u t it a ls o w o r k s v e r y w e ll in s m a lle r s iz e s . D ia h a s it a c o u

g ra m m b e e n s a n In p le o f

e r 's N o a c c o m p te rm e d s c u lp t in

te : T h lis h e d ia t e m g s te p

1 . S t a r t w it h t h e " p e t a l" c o lo r e d s h e e t . F o ld a n d u n fo ld d ia g o n a lly . T u rn th e p a p e r o v e r.

4 . F o ld a n d u n fo ld .

is w th e o d e s w

o n d e rfu fir s t t im l, b u t in e re a d d

l m e tr e d

o d e it is u th w it h

l c a n b e a lit t le a c t u a lly r a t h e r it is p r o b a b ly a n t h e c r e a t o r 's p

t r ic s im a d e rm

k y th p le . v a n c is s io

2 . F o ld a n d u n fo ld la t e r a lly . T u rn th e p a p e r o v e r.

5 . P r e c r e a s e in 4 t h s a b o v e a n d b e lo w .

e f ir s t t im e t F o r t h is r e a s e d - b e g in n e r n , a n d h a v e

h ro u g h o n I 'v e le v e l w b e e n d

, b u t o g o n e o rk . D e s ig n a

n c e th a h e a d u r in g te d a s

e f o ld in a n d d ia d ia g r a m s u c h in

g s e q g ra m m in g th e t

u e n c e m e d a e x t.

3 . F o ld a w a t e r b o m b b a s e o n th e e x is tin g c r e a s e s .

6 . N o w w e w ill p le a t -s in k t h e t o p h a lf o f t h e m o d e l. T h e n e x t t h r e e s t e p s s h o w h o w . O p e n t h e m o d e l c o m p le t e ly .

1 2 3

7 . B lin t z f o ld a n d u n fo ld b e h in d , c r e a s in g o n ly fr o m t h e c e n t e r d ia g o n a ls t o t h e o u t e r c re a se s.

8 . T u rn th e p a p e r o v e r

9 . P le a t -s in k o n t h e e x is t in g c r e a s e s . S t a r t w it h t h e o u t s id e s q u a r e , la b e lle d 1 a n d w o r k in w a r d t o 3 , o n e le v e l a t a t im e .

D ia g r a m m e d b y J .C . N o la n - J u ly '0 4

1 0 . T u rn th e m o d e l o v e r.

1 1 . B r in g o n e fla p fr o m r ig h t t o t h e le ft .

th e

A A

B C

C

B A C

B 1 2 . G ra s p th e e n d A a n d p u ll u p w a r d s a s y o u p u s h d o w n a t p o in t C

1 4 . R e p e a t th e p ro c e d u re o n th e o t h e r t w o p e t a ls , b e in g c a r e fu l t o n o t le t t h e m o d e l u n r a v e l.

1 . S t a r t w it h a n e w s h e e t o f p a p e r , g r e e n , s a m e s iz e , w it h t h e c o lo u r e d s id e d o w n

1 3 . R e p e a t o n t h e o p p o s it e s id e , b e in g c a r e fu l t o n o t le t t h e m o d e l u n fo ld a s y o u d o s o .

1 5 . S o fte n th e p o in t o f e B y m o u d lin g in a r o u n d e a t e a c h c o rn e r. (N o te : T w a s a d d e d b y t h e d ia g r a A ls o c u r l t h e t ip s u s in g a p e n c il o r fin g e r s ...

a c h d c h is m m c h

" p e t a l" re a se s te p e r) o p -s t ic k ,

2 . F o ld a n d u n fo ld d ia g o n a lly in b o t h d ir e c t io n s . T u r n th e p a p e r o v e r .

T h is c re a s te p lo t o

is a s in g s 1 2 f th

b lo w -u p a tte r & 1 3 , e c re a s

p o f th e n b e tw e e n n o te th a t a e s fa ll o u t .

1 6 . T h a t c o m p le t e s t h e p e t a ls p o r t io n o f t h e m o d e l, n o w w e c r e a t e t h e le a v e s p o r t io n .

3 . B r in g a ll fo u r c o r n e r s t o g e t h e r , fo r m in g a p r e lim in a r y b a s e o n t h e e x is t in g c r e a s e s .

4 . P e t a l fo ld in fr o n t a n d b e h in d .

5 . F o ld o n e fla p t o t h e r ig h t in fr o n t a n d a n o t h e r t o t h e le ft b e h in d .

8 . T u r n th e m o d e l o v e r ...

9 . R e p e a t t h e r a b b it e a r o n th is s id e .

6 . F o ld a n d u n fo ld t h e fla p in fr o n t , a n d fo ld t h e fla p b e h in d a n d le a v e u p .

7 . R a b b it e a r t h e fr o n t fla p t o t h e r ig h t .

1 0 . R th e m B e c a sy m e

e p e a t tw o m o r e tim e s , o d e l w ill b e c o m e 3 D . re fu l to k e e p th e m o d e l t r ic a l.

1 2 . R e p e a t o n th e o th e p e t a ls , b e in g c a r e fu l t o t h e m id d le fla p s in p la c O n c e a ll fla p s a r e c u r le m o d e l w ill b e c o m e " s t a a n d s to p "s q u ir m in g " a r 1 1 . L ik e th a t t h e p o in a t t h e p o in b y p u s h in g th u m b a n d

1 3 . p la c b e in o n e

L Ik in g g c s lip

is . N o w ts to th e t to th e u p w a rd c u r lin g

e t h is th e p a re fu p in g

, c a r e fu lly p la c in g t w le ft , a n d p in c h in g t h r ig h t , t u r n t h e fla p in fr o m b e lo w w it h y o t h e r e s u lt in g p e t a l.

. C o m p le t e e ta l p o r tio n l th a t th e tw in s id e t h e o

o fin e m s id e u r o

r 3 k e e p e . d , th e b le " o u n d .

g e rs o d e l o u t th e r

th e m o d e l b y o n to p o f th e b a s e , o in t e r lo c k c o r r e c t ly , th e r.

1 4 . C o m p le t e d w o r k .