mensuel cin” septembre 2004

Product sound design : semantic considerations for ... Sensory marketing : designing pleasurable products. ... Inauguration discourse of Resonance 2004.
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13 OCTOBER 2004

AFTERNOON SESSION Topic : Product 14h30-15h15 Thomas Hempel, User interface designer, Siemens AG, Corporate Technology, Germany.

MORNING SESSION

Product sound design : semantic considerations for designing products and their user Interfaces.

15h15-15h45

10h-10h10 Introductory Speech That’s life a short film by Andrea Bergala beeing shown.

Topic : Sound Objects

Ludovic Germain, Frédérique Guyot, sound designers, Laps design, Paris, France.

Designing sound for objects : theoretical approach and application.

15h45-16h15 Brrii eeu u cc d dee L Laa rrrraarrd d, Thierry Lageat, B Sensory & Consumer Insight, EUROSYN, France.

10h10-10h55

Sensory marketing : designing pleasurable products.

Roberto Casati1, Nicolas Bullot2, Jérôme Dokic3, Maurizio Giri4, 1Researcher in philosophy and cognitive science, CNRS, Paris, France; 2Phd student, LLPA - College de France and Institut Nicod, France; 3Researcher, EHESS, France; 4 Composer, ArtCognition Studio, Italy.

C O F F E E

B R E A K

16h45-17h Joachim Sheuren, Otto Martner, Carsten Zerbs, Müller-BBM, Germany.

Sounding objects.

Practical Aspects of Product Sound Quality Design.

10h55-11h40

17h-17h30

Davide Rocchesso, Professor, University of Verona, head of the Sounding Object project, Italy.

Bénédicte Le Nindre, Renault, France.

Sound Objects and Sounding Icons : on the identity of non-speech audio.

17h30-18h

C O F F E E

Florent Richard, Vincent Roussarie, PSA Peugeot Citröen, Vélizy-Villacoublay, France.

B R E A K

12h-12h15 Pedro Rebelo, Maartin van Walstijn, Sonic Arts research Centre, Queen’s University, Belfast, Northern Ireland.

Brand sound identity: the case of sporty vehicles.

Sound design of the passenger compartment. Process and tool for the control of engine sound character.

18h30-19h30

Designing acoustic thresholds.

Inauguration discourse of Resonance 2004 (Ircam).

12h15-13h

19h30-21h30

Claude Bailblé, Associate Professor, University of Paris 8, cinema department, France.

Cocktail (Ircam - Studio 5).

The auditory Imagery.

14 OCTOBER 2004

AFTERNOON SESSION Topic : Space 14h30-15h15 Bernard Delage, Acoustician et Architect, Delage et Delage, Paris, France.

MORNING SESSION Topic : HCI / Sound Signalling

Space.

15h15-15h45 Grégoire Chelkoff, Senior lecturer, Cresson, School of Architecture, Grenoble, France.

Hearing in motion : architectural experimentation for a public shelter in a transporting context.

15h45-16h15

10h-10h45

Nigel Frayne, Australian Center for the moving Image, Melbourn, Australia.

Stephen Barrass, Researcher of virtual environments, CSIRO ICT Centre, Canberra, Australia.

Electroacoustic soundscape design.

Patterns for Designing Functional Sounds.

C O F F E E

10h45-11h15

16h30-17h

Peter Froehlich, Florian Hammer, Telecommunications Research Centre Vienna, Vienna, Austria.

Etienne Corteel1, Terence Caulkins1, Olivier Warusfel1, Renato Pellegrini2, Matthias Rosenthal2, Clemens Kuhn2, 1Ircam, Paris, France; 2SonicEmotion, Dielsdorf, Switzerland.

Expressive Text-to-Speech : A user-centered approach to sound design in voice-enabled mobile applications.

C O F F E E

B R E A K

11h30-12h Mikael Fernström, Liam Bannon, Eoin Brazil, Interaction Design Centre, university of Limerick, Ireland.

B R E A K

Sound Scene Creation using Wave Field Synthesis.

17h-17h30 Julien Tardieu1-2, Patrick Susini2, Franck Poisson1, Stephen McAdams2, 1SNCF research and technology, Paris, France; 2Ircam, Paris, France.

Soundscape design in train station.

An investigation of soft-button widgets using sound.

17h30-18h

12h-12h30

Karmen Franinovic, Yon Visell, Zero-Th Studio, Croatia.

Sylvain Daudé, Laurence Nigay, Grenoble, France.

Recycled soundscape sonic diversion in the city.

A Tool for designing sonifications of background monitored information sources.

12h30-13h Jean-Philippe Lambert, Ircam, Paris, France.

The Phase Project.

15 OCTOBER 2004 MORNING SESSION Topic : Media 10h-10h45 Jean-Jacques Birgé, Filmmaker, composer, sound designer, multimedia content author, Paris, France.

Sound design in media : The art of desynchronization.

10h45-11h15 Pauline Minevich1, Charles Fox2, 1Associate Professor and Head, Department of Music; 2 Associate Professor and Chair, Production Program, Department of Media Production and Studies, Faculty of Fine Arts, University of Regina, Saskatchewan, Canada.

The Art of Immersive Soundscapes.

C O F F E E

B R E A K

11h30-12h Cécile Le Prado, composer, sound designer, Paris, France.

The Tale of the Floating World.

12h-12h30 Arnt Maaso, Associate Professor and Dr. Art, Department of Media and Communication, University of Oslo, Norway.

Designing ‘live’ sound in televised sports.

12h30-13h Peter Philippe Weiss, Corporate Sound AG, Basel, Switzerland.

A jingle is not what this is all about...

AFTERNOON SESSION Topic : Debate 14h30-17h A Definition for Sound Design. Sound designer’s needs. During all sessions prior to this one, a continuous work of summarization will be made, separating analysis, tools, creativity… This will be the basis for the discussion which will take place to try to define sound design and to point out what research and development domains sound design needs to evolve.