Proc. of the 9th Int. Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, September 18-20, 2006
General Bibliography This bibliography is a compilation of all bibliographic references from each paper. Page numbers that appear at the end of each entry link to the bibliography sections that include it. Please click on the URL or on the page number to access the linked item. Arfib, D. Different ways to write digital audio effects programs. In Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-98), Barcelona, Spain, pp. 188–91, 1998. 6, 11, 16, 22 Askenfelt, A. Automatic notation of played music (status report). Technical report, STL-QPSR, Vol. 1, pp. 1–11, 1976. 16 Dutilleux, P. Vers la machine à sculpter le son, modification en temps-réel des caractéristiques fréquentielles et temporellessons. PhD thesis, University of Aix-Marseille II, 1991. 29 Egozy, E. B. Deriving musical control features from a real-time timbre of the clarinet. Master’s thesis, Massachusetts Institute of Technology, 1995. 22 Fitz, K. and Haken, L. Current Research in Real-time Sound Morphing. Available at http://www.cerlsoundgroup.org/RealTimeMorph/, Accessed March 08, 2006. 29 Haykin, S. Adaptive Filter Theory (Second ed.). Englewood Cliffs: Prentice Hall, 1991. 11 Mitra, S. K. and Kaiser, J. F. Handbook for Digital Signal Processing. J. Wiley & Sons, 1993. 6 Moorer, J. A. Audio in the new millennium. Journal of the AES, 48(5), pp. 490–498, 2000. 6, 11, 16, 22, 29 Serra, X. Musical Signal Processing, chapter Musical Sound Modeling with Sinusoids plus Noise, pp. 91–122. G. D. Poli, A. Picialli, S. T. Pope and C. Roads,Eds. Swets & Zeitlinger, 1996. 6, 11, 16, 22, 29
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