285 Indirect acquisition of flutist ... - Vincent Verfaille

Centre for Interdisciplinary Research in Music Media & Technology (CIRMMT) - Schulich ... We then designed signal processing algorithms for recognizing.
36KB taille 2 téléchargements 307 vues
ACOUSTICS2008/285 Indirect acquisition of flutist gestures: a case study of harmonic note fingerings V. Verfaille, M. M. Wanderley and P. Depalle Centre for Interdisciplinary Research in Music Media & Technology (CIRMMT) - Schulich School of Music McGill Univ., 555 Sherbrooke Street West, QC H3A1E3 Montreal, Canada [email protected] The indirect acquisition of musicians’ gestures consists in retrieving information about gestures from the sound. Inspired by previous studies investigating clarinetists’ gestures, we focus on the flute, which features numerous playing modes and a rich palette of sounds. Our goal is to provide musicians with guidelines for using indirect acquisition. For a variety of playing modes, we collected information about gestures, body parts involved, and effects on the acoustical signal. We then designed signal processing algorithms for recognizing which gesture is involved in a given sound; later we will quantize related movement by combining direct acquisition, indirect acquisition and motion capture. Focusing on harmonic note fingerings, a first experiment investigated octave-related harmonic note fingerings with 1 non-expert performer (ff dynamics and normal articulation). A target F0 -guided PCA on the amplitude of the first six harmonics of F0 /4 from 1 semi-tone frequency bands retrieved the correct fingering with 2 principle components in all trials. A second experiment investigated octave and non-octave related harmonic note fingerings with 4 expert performers. A target ¡latex¿F0 -guided PCA on the sum of energies around i.F0 /k (k = 2, ..., 6; i = 1, ..., 12) provided wider clusters, making more difficult to retrieve the correct fingering in some specific cases that we will discuss.

Number of words in abstract: 200 Keywords: Technical area: Musical Acoustics (MU) Session: MU07 - Control of natural and synthetic musical sounds PACS #1: 43.75.Qr Flutes and similar wind instruments PACS #2: 43.75.Zz Analysis, synthesis, and processing of musical sounds PACS #3: Presentation: Oral presentation preferred (Invited paper) Special facility: Audio equipment Best student paper competition: no Send notice to: Verfaille Vincent ([email protected])