TECHNICAL RIDER UPDATED OCT 2010 General Rider – 2010 The PURCHASER agrees to fulfill this rider to the production specifications listed. No substitutions, additions or subtractions should be made without prior approval from Artist’s management. All changes must be approved 7 (seven) days prior to Artist’s performance. This document is for year 2010, please find attached the most current, up to date, input list and stage plot for BOMBA ESTEREO, coming to your gig soon. KINDLY DISCARD ANY INPUT LIST AND – OR STAGE PLOT YOU MAY ALREADY HAVE IN YOUR POSSESSION. ONLY THIS ONE IS CORRECT.
CONTACT BOMBA ESTEREO MANAGEMENT OFFICE Camila Saravia
[email protected] Tel (+57) 311-8473601 Calle 77 # 16 – 20 Piso 7 Bogotá – Colombia TECHNICAL CONTACT Logistics: LUCAS PINZON PRODUCTION MANAGER Sound Engeneer F.O.H Tel: (+57) 313-2949385 Email:
[email protected] [email protected] PRESS/WEBSITE Website: www.bombaestereo.com Publicist / Press Colombia: Lucrecia Rotlewicz
[email protected]
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TECHNICAL RIDER UPDATED OCT 2010 TRANSPORTATION If the ARTIST is arriving by plane from Colombia, please book flights with AVIANCA airline. All local ground transportation shall be provided by the promoter. This is to be arranged, with our Management Office, in advance. Purchaser must provide transportation to and from the airport, hotel and venue (No small personal cars and/or taxis please). We suggest a Van for 10 people. Important: We suggest to book the flights in airlines which allow minimum two (2) bags per person and are flexible with overweight situations. The band travels with equipment and instruments. BAGGAGE The ARTIST travels with 12 pieces of baggage. The total weight is 200 kg aprox. It shall be discussed with the Management Office the payment of the cost of this luggage excess if applicable. Traveling Party/ Rooming list Room Single Single Single Single Single Single
Name Liliana Saumet Federico Simón Mejia Julián Salazar Enrique Egurrola Lucas Pinzón Claudio Spinel
Position Singer Bass – Director Guitar Drums Production Manager – FOH Stage Manager
VENUE REQUIREMENTS DRESSING ROOM: The promoter shall provide one (1) comfortable dressing room for the ARTIST’s use, which should be locked at all times. This room shall fit at least 5 people and all the artist’s equipment. The room should have comfortable seats, a full-length mirror and several power outlets. Access from dressing room to stage must be direct (not through the audience). All efforts to make the dressing rooms as welcoming,
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TECHNICAL RIDER UPDATED OCT 2010 homely and comfortable as possible will be greatly appreciated. Dinner: A hot, well-balanced meal for 5 people consisting of chicken, fish, pasta or veggie entrée. A $40 dinner buyout per person will be acceptable. Towels: Please provide the band & crew 4 hand towels for the stage.
HOSPITALITY Show time Catering: Please provide all listed items at least one hour prior to show time. -
1 NATURAL GINGER ROOT (FOR SINGER THROAT) (Important!) 20 bottles of room temperature still water
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10 Red Bull
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10 portions of slight food, preferably varied sushi or table of chesses and cold meat
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2 bottles of good quality red wine
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1 bottles of premium whisky
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1 bottles of natural orange juice
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1 pot of ice
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Plastic glasses
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1 package of napkins
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Cooler, ice, cups and bottle opener
Note: Please provide 10 bottles of room temperature still water at sound check time.
PRODUCTION AND TECHNICAL INFO STAGE, RISERS and LABOR. Stage minimum size is: 32ft wide by 20ft deep. One drum (1) riser ; 8 ft wide by 8ft deep by 2 feet high is required.
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TECHNICAL RIDER UPDATED OCT 2010 A minimum of two (2) competent and sober loaders/assistants are required to help at load in/out and during band setup throughout the day.
HOUSE SYSTEM Front of House: • The system should be of high quality • Depending on the venue size, the system should be stereo 4 ways active capable of producing 110 db SPL at the FOH console. VERY IMPORTANT: THE SUBS SHOULD BE CONNECTED BY AN INDEPENDENT AUXILIARY OUT OF THE DESK • Preferred systems: ! ADAMSON SPECTRIX ! L’ ACOUSTIC / KUDO ! NEXO GEO T / GEO Series ! MARTIN AUDIO W8LC • OR VERY SIMILAR • Correct amps and crossovers to run system. • Talk back from the FOH position to stage. • Mic´s and D.I´s based on Input List. FOH CONSOLE: We prefer to work with digital consoles, such as: ! YAMAHA M7CL ! YAMAHA PM5D ! DIGIDESING SC 48 ! YAMAHA LS-9 If the console is analog we prefer: ! Midas Heritage ! Midas XL4 3000 ! Yamaha PM 4000 ! Allen & Heath ML 5000 ! Yamaha DM 2000 If the console is analog please provide: • 5 Gates (DBX, BSS, Drawmer or similar, please no BEHRINGER!) • 6 Channels of compression (DBX, BSS, Drawmer or similar, please no BEHRINGER!) • Quality effects, 3 units minimum: Yamaha spx 990, TC Electronics M-one, TC D2 or similar VERY IMPORTANT! • 31 Band Eq X2 (Klark teknik DN 370, BSS) If the console is Digital all this can be ignored!
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TECHNICAL RIDER UPDATED OCT 2010 MONITOR SYSTEM Note: Please be aware that on this tour we will be traveling without our monitor engineer, therefore can you please provide an engineer for the sound check and show. Preferred monitor consoles: • Yamaha PM5D • Yamaha M7CL • Yamaha DM 2000 • Yamaha PM 4000 • Midas XL 4, 3000 If the console is analog we need at least 6 stereo Eq such as Klark Teknik DN 360. If the console is Digital all this can be ignored. MONITORS There are 4 musicians 3 at the front 1 at the back 2 side fills with sub (KF 850 or very similar) The basic idea is to have 7 wedges for all of them. CLAIR 12-AM, NEXO PS-15 or very similar. 1 Drum Fill, and the 2 x 2 Way Side fills with subs We provide the lead singer IN EAR MONITOR and Headphones.
The gear used by the band is 110volts. Keep this in mind, for the electrical system.
Monitor mixes should be patched as follows: MIX OUT MIX 1 MIX 2 MIX 3 MIX 4 MIX 5 MIX 6 MIX 7
DESCRIPCION MAIN FRONT VOCAL IN EAR MAIN VOCAL GUITAR BASS DRUMS SIDE FILL L SIDE FILL R
MONITORS 1 MONITOR WEDGE IN EAR IN EAR or SINGLE WEDGE IN EAR or SINGLE WEDGE IN EAR + Drum Fill 1 2-WAY SYSTEM + SUB 1 2-WAY SYSTEM + SUB
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TECH TE CHNI CH NICAL RI NI RIDE DER DE R UP UPDA DATED DA D OC OCT 2010 TECHNICAL RIDER UPDATED
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TECHNICAL RIDER UPDATED OCT 2010 INPUT LIST BOMBA ESTEREO CH
INSTRUMENT
MIC
INSERT
COMMENT
1
KICK IN
SM 91
COMP/GATE
2
KICK OUT
BETA 52
COMP/GATE
3
SNR TOP
SM 57
COMP
4
SNR BOTTOM
BETA 57
COMP
5
HI HAT
SM 81
6
TOM 1
BETA 98
COMP/GATE
7
FLOOR TOM
BETA 98
COMP/GATE
8
OVERHEAD L
SM 81
(Condenser)
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OVERHEAD R
SM 81
(Condenser)
10
DRUM PADS
D.I BOX
ROLAND SPD 30
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DRUMTRIGGER
D.I. BOX
12
ALEGRE DRUM
BETA 98
13
TIMBAL
SM 57
14
SEQ 1 L BEATS 1
D.I BOX
COMP GROUP 4
15
SEQ 1 R BEATS 1
D.I BOX
COMP GROUP 4
16
SEQ 2 L SYNTHS 2
D.I BOX
COMP GROUP 4
17
SEQ 2 R SYNTHS 2
D.I BOX
COMP GROUP 4
18
BASS D.I
D.I BOX
COMP
19
BASS MIC
BETA 52
COMP
20
KEY
D.I BOX
21
GUITAR LEFT MIC
SM 57
22
GUITAR RIGHT MIC
23
VOICE BASS (SIMON)
BETA 58
24
VOICE GTR (JULIAN)
BETA 58
25
LEAD VOICE
UHF BETA 58
COMPRESSOR
WIRELESS
26
LEAD VOICE FX
BETA 58
LONG DELAY
(LONG CABLE)
27
SPARE LI
BETA 58
28
SYNTH GUITAR
29
SAMPLER
30
FREE CHANNEL
31
FREE CHANNEL
32
RET AUX 1
33
RET AUX 2
34
RET AUX 3
35
RET AUX 4
(Condenser)
ROLAND SPD 30 COMP
CLAMP
COMP COMP
LONG CABLE
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TECHNICAL RIDER UPDATED OCT 2010 BACKLINE The promoter must provide the following backline equipment for the show. VERY IMPORTANT: The ARTIST uses 110 a.c Voltage, if the voltage in your country is different, please provide two 220-110 transformers. Power sources for the drum riser, two (2) power sources for the guitar player and one (1) power source for the bass player. Also, we need three (3) power sources for the monitor console or FOH console if the monitors are running from FOH. GUITAR: o
Fender Hot Rod Devile 212
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Percussion table LP (with out extensions )
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2 Guitar Stands (or multiple)
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Small table with black silk
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Ampeg SVT 4 pro or Classic head with 4x10 + 1x15 cab or 8x10 cab/ SWR SM500/900
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ONE single Keyboard Stand.
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ONE “X” double Keyboard Stand.
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ONE bass Stand.
BASS:
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TECHNICAL RIDER UPDATED OCT 2010
DRUM KIT/PERCUSION: The ARTIST prefers DW collector’s edition, Premier Artist series, Gretsch Genista or similar. o
Kick 22”
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Snare 14”
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Tom 12”
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Floor Tom 16”
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1 Hi-hat stand
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6 Cymbal Stands
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1 Drum Throne (graduable and adjustable)
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1 LP Tito Puente timbal set on Snare Stand
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1 stand Djembe (movil head) IMPORTANT, or conga low small stand.
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1 Drum carpet
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ONE fan in the floor behind the drummer.
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2 Mics SM 57 (IMPORTANT: These Mics do not go to the patch, they are just for the personal monitor of our drummer.)
VIDEO REQUIREMENTS The ARTIST Requires a behind sceen screen, minimum 7 Meters X 3 Meters (Horizontal backward projection) and a Video Beam (8000 Lummens) VGA cables with enough length to the light console spot. (If it’s not possible to have the backward projection, PLEASE, find another video option such as Plasma screen, LCD, led screen, etc.) Please, always discuss the best option of the video set up, with our production Manager. ¡!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!THANK YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 9
