Come, ye Sons of Art

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Vocal Score

Henry Purcell Come, ye Sons of Art Z 323 Birthday Ode for Queen Mary, 30 April 1694

Edited by Philip Legge

Contents [Symphony]

1

Come, ye Sons of Art (solo and chorus)

3

Sound the trumpet (duet)

7

Come, ye Sons of Art (chorus)

11

Strike the viol (solo)

13

The day that such a blessing gave (solo and chorus)

16

Bid the Virtues (solo)

19

These are the sacred charms

22

See Nature, rejoicing (duet and chorus)

24

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Vocal score



Come, ye Sons of Art (Birthday Ode for Queen Mary, 30 April 1694) Z 323

Poem by Nahum Tate?

[Symphony]

       



   

                     

  

                    

6



                             

           

      

[Allegro]

Henry Purcell (1659–1695)

       





     

3                                                 3 3 3                   3

11



3

3

                    3 3 3 3 3                         3 3

3                     3

15

 





 

19

 

          



3

3

3

              3        

23



 



   3



    

    3

3                 

      

3

3











3

                                    3 3 3      3                        3

3



2

Vocal score

                                              

27

  





  



  

   

                                        

31





 



                  

                                                                                         3                     3 3

              

34



    

37

 





                                                                    

40



[Adagio]

                              

44



                   

49

 

 



         

      

  



    

          

                          

  

 







  

  



 





                              

54



     

        





 



      















                              

   86



  

            









  



  

 

COUNTERTENOR SOLO





 Come, come, ye 

       

Sons

of Art,





   

                                  



 

come, come a

             





        

79





 



  

 

   

 

     

 

       

                     

   

 

  



    

      

72







                      

     

66

 

            

    

          

59



3

Vocal score

 



  

 way,

      

 

  come, come, ye  

       

4

Vocal score

             Sons of Art, come, come a  way,                          93



             play, to ce le brate, to                    99



          in  stru  ments              106



   112





 

tune

  

           ce le brate this tri  um phant day,           

 



       play, to ce le brate, to                   







                  ce le brate, to ce le brate this tri  umphant day,            



 

  all your voi  ces and              

                                



  in  stru  ments         

 

tune

 



  all your voi  ces and             

            ce le brate this tri  um phant day,                             

CHORUS



         Come, come, ye Sons of Art,        Come, come, ye

Sons

   





to

   



of Art, come, come

 





come, come a

 

 



 

Come, come, ye Sons

of Art, come, come a

Come, come, ye Sons

of Art, come, come a

   

  a

        

                   

 

    119

 

way,



     way,    



way,

way,

           

125



    







come, come, ye



 

Come, come, ye

   

   



 

Come, come, ye

    in  stru ments     in  stru  ments     in  stru ments     in  stru ments             





   Sons of Art, come, come a  way,            Sons of Art, come, come a  way,         Sons of Art, come, come a  way,        Sons of Art, come, come a  way,                                 



Come, come, ye



        voi  ces and     voi  ces and       voi ces and      voi ces and             

5

Vocal score



 play,



play,



play,



play,

  

     ce le brate, to      ce le brate, to      ce le brate, to     

     to ce le brate this      to ce le brate this       to ce le brate this       to ce le brate, to ce le brate this                             

 



tune all your

 

tune all your

   

tune all

your

  

tune all

your

     



  

 

 phant      tri  um  phant      tri  um  phant    tri  um phant       tri

 





um

 

6

    131

 



day,



     day,   



day,

day,

        

Vocal score

 

       tune all your voi  ces and in  stru ments play, to          tune all your voi  ces and in  stru  ments play, to              tune all your voi ces and in  stru ments play, to            tune all your voi ces and in  stru ments play, to                        



        tri  um  phant       tri  um  phant          tri  um  phant       tri  um phant            138



 





 





day,

to



day,

to

day,

to

day,

to

   

      



 

     ce le brate,     ce le brate,      ce le brate,     



 to

 

to



to

       

ce le brate, to

 

   

     ce le brate, to      ce le brate, to      ce le brate, to     

     ce le brate this      ce le brate this      ce le brate this      ce le brate, to ce le brate this         

    

  

      ce le brate this       ce le brate this       ce le brate this       ce le brate this    

  

 

 

   

  

 phant day.       tri  um  phant day.       tri  um  phant day.     tri



 

um

 umphant day.            

   

tri

 

 

 

countertenor]   [High    144





             f                   

148



Sound

                      

    152

   



       

 



 [Countertenor]   

      trum pet!   

7

Vocal score





Sound

     

 

the



                  p                  

   



            Sound the trumpet! Sound, sound,                       the trum pet! Sound the trumpet! Sound, sound,                                                    



                     sound the trum pet, till a  round                     sound the trum pet, till a  round You make the                               

              list ’ning shores re bound,                

8

Vocal score

                          You make the list ’ning shores re  bound, re bound,                    you make the list ’ningshores re  bound,                                         155



    bound.    158



1.



2.

 





bound.

 



bound.

                                      

1.

                spright  ly hautboy, the                 spright ly haut  boy play, the              160



  

 



bound. 2.



         the list ’ning shores re             re bound, the list ’ning shores re  

            

 



     

  

                Onthe spright  ly haut boy, the Onthe

                                          

                     spright ly haut  boy play. All the                  spright ly, spright ly haut  boy play.                    

           



  

             instru ments of joy,              All the instru ments of             163



   

 

 



               all, all, all, all the instru ments of joy,                      joy, all, all, all, all the in  stru ments of joy, of                           

          

       166

   



joy,

of

                 brate the glo ries of this              brate the glo ries of this                         





    

       To cel  e brate,      To cel  e brate,                    

             joy, That skill ful num bers can em  ploy,                  Thatskill ful num bers can employ,

                                    

169

9

Vocal score

    to cel  e      to cel  e           

                   day, the glo ries, the glo                     day, the glo the   ries,                                           

10

                        glo           

Vocal score

1.             ries of this day.                  this day.    ries of 1.                                         

172

 

    

   

175



    

       



       

      



181

 









    

  











                        

 

  

 

     

2.

 

       



Onthe

     

     

 

   

day.

    

     



  





 









      







   

                      

   



194

 

    



 



  



day.

 

     

 



                     

   

 

2.

    

      

187



 

             



  

 

   201



 







    













     

     

 





   







207

 





Come, come, ye



     Come, come, ye come, come, ye



     



11

Vocal score

   

Come, come, ye

  

      

Come, come ye

   

Sons



of Art,

  

Come, come ye

Sons

of Art,

come,



 Sons



Sons



Sons

     





     

Come, come ye







  

 

of Art,

Sons

of Art,



  

              

    



Sons

     



Come, come ye

   of Art, come, come a  way,          of Art, come, come a  way,        of Art, come, come a  way,        of Art, come, come a  way,                      

  Sons



   come, come a  way,      come, come a  way,     come, come a  way,    

CHORUS





come a



way,

           





  tune all your

 

  

voi ces

and

  tune all your voi  ces and        tune all your voi ces and       tune all your voi ces and             





 



12

         in  stru ments         in  stru  ments        in  stru ments         in  stru ments         213



  





Vocal score





play,

to



      ce le brate, to      ce le brate, to       ce le brate, to      

 

play,

to

play,

to







                           

play,

to

ce le brate, to

      

     tune all your voi  ces and in  stru ments         tune all your voi  ces and in  stru  ments                tune all your voi ces and in  stru ments              tune all your voi ces and in  stru ments                    219



   



 









      ce le brate this       ce le brate this       ce le brate this       ce le brate this    

  

 

 

   





play,

to



 

play,

to

play,

to

 

play,



to

     

 phant day,       tri  um  phant day,       tri  um  phant day,     tri



  

um

 umphant day,          tri

 

 

     ce le brate, to      ce le brate, to      ce le brate, to     

     ce le brate this      ce le brate this      ce le brate this      ce le brate, to ce le brate this            

    

 



 

         tri  um  phant       um  phant  tri        tri  um  phant       tri  um phant          225



 









day,

to



day,

to

day,

to

 

day,

 

  

to

   

  [Countertenor]                            231



     237



    touch,

   

13

Vocal score

   touch, touch,     

     ce le brate,      ce le brate,      ce  lebrate,   

 to

 

to



to

              

ce le brate, to

    Strike

 



  

      ce le brate this       ce this  lebrate     ce le brate this       ce le brate this    

  

 

 

   

    the vi  ol,     

   

     

tri





     tri



 phant day.   um phant day.         





 

   

     Wake the   

      





    the vi  ol,     

 





   strike



um



harp,



   

  

     

                 wake the harp, wake the harp,  in  spire                                    243





 um  phant day.       tri  um  phant day.       tri

   

           touch, touch, the lute,         

  

    the flute,  

 

  



14

        249



wake

  



 

the

 

Vocal score 1.

            in  spire the flute,  1.        

 harp,

  

254

 

 pat  ton  ess’  s          







  



praise,

 









  

sing,

2.    

 

flute,

 



sing,

 





praise,



 

 



   

    



sing,



sing,





   









                  In cheer                   

265





 

   

1.                                     ful and har  mon  ious lays.         1.              

    



 pat  ton  ess’  s         



Sing your

                

  



Sing your

               

  

260



                   

     

    

2.

 



  

 

 

         

  2.   269



[Ritornello]









2. [Ritornello]

     

 

 



             

                             

275



          

280



  

          

    



289

    

 

           









 

  

    

                             

                                      

    

     

 

                   

 

      





     

 

 

  

 

 



  



       

 



 

                         

  

295



   

          1.    

286





lays.

      



15

Vocal score

 

2.



       

  

    

                

                

   



16

Vocal score



305

    1.

   2.



         

   310





 The





   

day

 2.   322



be.

2.

      

 

    



     What it

       

   

 

         





 



 





    

   ing gave, No com mon, com mon                                       

that such a

316           fes ti val should be, No, no,                 





              

            

                                

       

                  

300

just

          





bless



 



  

     

no,

  

no,



 

be.  1.                                      no,

no, no, com mon fes ti val should

     

                         

ly,

1.

what it



just ly,

it



just ly seem’d to





crave,

     



    



Grant, oh

 

     

  

330    







grant,

      

17

Vocal score





grant, oh











grant, and let it have, let it, let it have, let it, let it have

        

1.              



1.                   

   

        

2. 336                    hon our of a Ju  bi lee. What it have, let        2.                      





  





  



 



 

 The

  



 our of a Ju  bi                  it have The hon

       

  CHORUS                            The day that such a bless ing, such a bless                       The day that such a bless that such a  ing gave,                     The day that such a bless ing, a                           lee. The day that such a bless                                                                         337



18

   ing     bless  ing     bless  ing        ing           343



   

Vocal score

 gave,



gave,



gave,

 gave,







      

        

No com mon, com mon fes ti val should be,





no,

no,

   

no,

2.

   



be.

  

What it

   

just

be.

  

What it

   

just

be.

   

What it

   

just



ly,

be.

What it

just



ly,

   







              



 

    

1.

be.  1.                             com mon fes ti val should

   The

2.

       

 

no,

 



No com mon, com mon fes ti val should be,

        no, com mon fes ti val should be.            no, com mon fes ti val should be.            no, no, com mon fes ti val should be.           

  

no, no, no, no,                  No com mon, com mon fes ti val should be, no, no, no, no, no, no,                 

350

no, no,

  

No com mon, com mon fes ti val should be, no, no,

   





  

 

   



no,



   

no,

no,



no,



no,

    

no,

           

    

 

 ly,



  what it



  

ly,



what it

  



what it

 

   what it

         

    just ly,    just ly,     just ly,      just ly,       356



 

 it

 it

 it

 it

   

      just ly seem’d to crave,       just ly seem’d to crave,       just ly seem’d to crave,      just ly seem’d to crave,             

  

     

            

  

have, let it, let it have, let it have The hon

           

     



  

        















Grant, oh grant,

  

     



Grant, oh grant,



 

 our



 our               have, let it, let it have, let it have The hon  our                           



Grant, oh grant,

have, let it, let it have, let it have The hon

have, let it, let it have, let it have The hon



Grant, oh grant,

363



19

Vocal score



 

   

grant, oh

  

grant, and let it

grant, oh



grant, and let it

grant, oh

     

 

grant, and let it



   

 





 



   

   

  

 lee.        of a Ju  bi lee.      of a Ju  bi  lee.      of a Ju





bi

 bi  lee.            

our

   

   grant, and let it      grant, oh



  

  

of a Ju

  



          

     

[Soprano]                              Bid the Vir tues, bid the Gra ces, bid the Gra ces To the                                         368





















20

Vocal score

      sa                     372





   

                                           





    375

        cred shrine re pair,              









     al tar take,      





                           Round

the



       

    

  

    

378













                 

  

their pla Round  ces,                   take















                       the al tar take, take their pla ces,                                   381











         Bless ing with re  turns of         



21

Vocal score

  

            pray’r, Bless ing with re  turns of pray’r Their great                        

384









 

   387





Their great,





     



  de  fen  der’s      

 





        

   

  





    



care,

  





                             Their great















           de  fen  der’s care, WhileMa  ri  a’s roy  al zeal Best in structs you how to                                                   

390



    394



pray,

     

        how

to

pray,

how

  to pray,





       



Hour ly from her own, her own

                                        









           

22

Vocal score

                       ing, vers ing con vers ing with the E  ter  Con  con  vers                      398



 

              

401

      405





[Bass]







 These,

 

 



 



              nal, the E  ter  nal Throne.                            



                 



 

  

 



 





    

             

 these,



 

        

these are the sa cred

                                

    

                          charms, these are the sa cred charms that shield Her dar                                                             

408



 ing

  

411                           he ro in the field, these, these are the sa cred charms, these are thesa cred charms that                                                         



23

Vocal score

   

                   shield Her dar ing he ro                                                          

414



    in

the field,

 

Her

              

417                                   dar ing he ro in the field; Thus she sup                                                                    



420     





 

          

 



ports his right eouscause, thus, thus, thus, thus,                                                                 

423                 his  thus, thus, she sup ports, she sup ports                               



    

 eous cause,      right





 

   



Thus, thus,

thus, thus

             



 to his

      

    

426                            aid im mor tal pow’r, im mor tal pow’r, im mor tal pow’r, she                                     



  



    



    



    

24 429     



 

Vocal score











           





                                             draws,

thus,

thus,

432     



thus,

thus

                

to his aid im mor

        





tal pow’r she draws, Thus,                                                                      

     435









            

                              

   438

thus,

thus





             tal pow’r she draws.                                



                                             

to his aid im mor

   

 

   



[Soprano]

See

See

     



     

  

Na ture,



 joic ing, has shown us the      

re

re  joic ing, has shown us the             Na ture,

 

 





   

       way, With in no cent rev els, with            way, With in no cent rev els, with                         

   

444

     in no cent rev els to wel come        



451          tune  ful grove,          tune  ful grove,            



    458



hill,

  



hill,

      



25

Vocal score

 With



With

 

 and



and

   

   

 





ing



 ing        talk

 ing har  mo  ny           ing har           



wel come the

mo

  

     





rill,

The

laugh

rill,

The

laugh

  

 

   

       

charm

charm



the

2.

day.

 day.

   1.                            

 talk



in no cent rev els to

  

1.

u





u   ny           

 ing vale,      

 the



 ing vale, the                   



     

 py   

nite,

The

nite,

The



  

hap

See,

day.

  

See,

day.

   

2.

  

 The

 The

   

 

 ply  ing      re

 ply  ing          re

 sea





son



 py sea  son                       hap

26

Vocal score

   

                   in  vite. Thus Na ture, re  joic ing, has shown us the way, With in no cent rev els, with                   

465



to

  



to

in

              

      in  no cent       in  no cent              473



    480



 vite.

 joic ing, has shown us the way, With in no cent rev els, with                                         

   rev  els to   

     

spire,

Is at once

 



         



   

 light and our        our de  light and our             

Is at once our de

   

  

            wel come the day. What the Gra ces re  quire, And the Mu  ses in                  rev  els to wel come the day. What the Gra ces re  quire, And the Mu  ses in                                                  

spire,

  





Thus Na ture, re

   ty to    du  ty to         du



   

pay.



Thus Na ture,

pay.

Thus Na ture,

  

   



re



  

ing, has  joic  

 joic ing, has              

re





       487

shown us



 



the

 

shown us

the

          



            in  no cent rev els, with in  no cent rev  els to            

wel come the

With

in no cent

rev els, with

wel come the



    

         





way,

With





way,

 



 







  

494    CHORUS           day. Thus Na ture, re  joic ing, has shown us the way,                 Thus Na ture, re  joic ing, has shown us the way,                  Thus Na ture, re  joic ing, has shown us the way,               day. Thus Na ture, re  joic ing, has shown us the way,                         



 



   

27

Vocal score

   

   

   

 

in no cent

  



rev els

to

     



  

  



 



     

          With in no cent rev els, with in no cent           With in no cent rev els, with in no cent                         

With in no cent rev els, with in no cent

 



 

With in no cent rev els, with in no cent

                

                

28

     rev  els     rev  els      rev  els      rev  els           502



Vocal score

 to





wel come the

   to wel come the     to wel come the     to wel come the         

 

      in  no cent      in  no cent       in no cent       in  no cent              509

  

   

 

day.



day.



day.

 day.

   



  

  

 



 joic ing, has shown us the way,            Thus Na ture, re  joic ing, has shown us the way,           Thus Na ture,

  

Thus Na ture,





Thus Na ture,

   

re

With



With



 joic ing, has shown us the way,       

With

re

re

       



 

 joic ing,      

has shown us

           rev els, with in  no cent rev els to wel come the             rev els, with in  no cent rev els to wel come the             rev els, with in  no cent rev els to wel come the             rev els, with in  no cent rev els to wel come the                                            

the

way,

With

 

   

 

     

   

 





day.

The





    

tune

day.



The



tune

day.

The

tune





day.

The

 



 





 



ful

 

 ful  

ful



 ful                  tune

    516

  



  

grove,

the talk

grove,

the talk

 

      grove, the talk   



grove,

      





 



 





re  ply  ing vale,  ing hill,              re  ply  ing rill, The laugh  ing vale,  ing hill,                   ing rill, The laugh ing, the laugh  ing vale, re ply ing hill,                 ing

 ing       

the talk

 



      

rill,

rill,

 

The

The



  

laugh

 ing            laugh

               charm  ing har  mo  ny u              charm  ing har  mo  ny u                  charm  ing har  mo  ny u                charm  ing har  mo  ny u                                        523

29

Vocal score



vale,

      The

hap

nite,

The

hap



nite,

 nite,

  



 ing hill,            ply

        

nite,



re

 



py







py

sea

 







son

to



son

to



son

 

With

 With

 





in



to

in

 





to

in

  

 py sea  son                        hap



in



The

With

sea

sea

hap





py

The



With

 



 







      

30

   

Vocal score

        

          vite. Thus Na ture, re  joic ing, has shown us the way, With in no cent rev els, with in no cent                         vite. Thus Na ture, re  joic ing, has shown us the way, With in no cent rev els, with in no cent                          vite. Thus Na ture, re  joic ing, has shown us the way, With in no cent rev els, with in no cent                         vite. Thus Na ture, re  joic ing, has shown us the way, With in no cent rev els, with in no cent                                                                          530



        rev els to wel come the           rev els to wel come the           rev  els to wel come the          rev els to wel come the                           538





             day. What the Gra ces re  quire, And the Mu  ses in  spire,               day. What the Gra ces re  quire, And the Mu  ses in  spire,               day. What the Gra ces re  quire, And the Mu  ses in  spire,               day.

   





 Is at

 

Is at

Is at



 ses in  spire, Is at              

What the Gra ces re quire, And the Mu

            

  



  







       545

  

   

 light and our     once our de  light and our            once our de  light and our           once our de  light and our                               

once our de

 ty to pay.     du  ty to pay.     du

du





   



 ty



to



pay.



 ty to pay.              du

         way, With in  no cent rev els, with in  no cent              way, With in  no cent rev els, with in  no cent               way, With in  no cent rev els, with in  no cent             

552



 

way,

 

   



With

   

31

Vocal score

          

in no cent



rev els, with

   

  

   



  

re



re



re

  

 

 joic ing, has shown us the           Thus Na ture, re  joic ing, has shown us the          Thus Na ture,

Thus Na ture,



 

 joic ing, has                   

Thus Na ture,

   

 joic ing, has shown us the       shown us

     rev  els to wel  come the         rev  els to wel  come the        rev  els to wel  come the       in  no cent rev  els to wel  come the                               

the

        

 day.



day.



day.

 day.

   

 