Adieu Godard? Participant Authored Works Nicole Brenez Brenez, Nicole. Bidhan Jacobs, and Peter Whitehead. Le Cinéma Critique. Paris: Publications de la Sorbonne, 2010. ---, and Carole Roussopoulos. Caméra Militante: Luttes De Libération Des Années 1970. Genève: MētisPresses, 2010. ---. Abel Ferrara. Urbana: University of Illinois Press, 2007. ---. Jean-Luc Godard, Documents. Paris: Centre Pompidou, 2006. ---. Cinémas D'avant-Garde. Paris: Cahiers du cinéma, les petits cahiers, SCÉREN-CNDP, 2005. ---, and Christian Lebrat. Jeune, Dure Et Pure !: Une Histoire Du Cinéma D'avant-Garde Et Expérimental En France. Paris: Cinémathéque française, 2001. ---. De La Figure En Général Et Du Corps En Particulier: L'invention Figurative Au Cinéma. Paris: De Boeck Université, 1998. ---. Shadows: John Cassavetes : Étude Critique. Paris: Nathan, 1995. ---, and Miles McKane. Poétique De La Couleur: Anthologie. Paris: Auditorium du Louvre, 1995. ---, and Hubert Damisch. Autour Du "mépris": Deux Problèmes Cinématographiques Rapportés À L'invention Figurative Et Solutions Filmiques. S.l.: s.n., 1989. Daniel Morgan Morgan, Daniel. Late Godard and the Possibilities of Cinema. Berkeley: University of California Press, 2012. ---. “On Historical Violence and Aesthetic Form : Jean-Luc Godard's Allemagne 90 Neuf Zéro.” in Killer Images: Documentary Film, Memory and the Performance of Violence. Brink J. Ten and Joshua Oppenheimer (eds). New York: Wallflower Press, 2012. ---. “Bazin’s Modernism.” Paragraph 36.1 (Spring 2013): 10-30. ---. “Max Ophuls and the Limits of Virtuosity: On the Aesthetics and Ethics of Camera Movement.”Critical Inquiry 38 (Autumn 2011): 127-63. 1

---. “The Afterlife of Superimposition” in Opening Bazin. Dudley Andrew and Hervé Joubert-Laurencin (eds). Oxford: Oxford University Press, 2011: 127-41. ---. “The Place of Nature in Godard’s Late Films.” Critical Quarterly 51.3 (Fall 2009): 1-24. ---. “The Pause of the World” in Three Documentary Filmmakers: Errol Morris, Ross McElwee, Jean Rouch. William Rothman(ed.). New York: State University of New York Press, 2009: 139-56. ---. “Rethinking Bazin: Ontology and Realist Aesthetics.” Critical Inquiry 32 (Spring 2006): 443-81. Murray Pomerance Pomerance, Murray. Alfred Hitchcock's America. Cambridge: Polity, 2013. ---. The Last Laugh: Strange Humors of Cinema. Detroit: Wayne State University Press, 2013. ---. The Eyes Have It: Cinema and the Reality Effect. New Brunswick, NJ: Rutgers University Press, 2013. ---. Shining in Shadows: Movie Stars of the 2000s. New Brunswick, NJ: Rutgers University Press, 2012. ---. Michelangelo Red Antonioni Blue: Eight Reflections on Cinema. Berkeley: University of California Press, 2011. ---, and R B. Palmer. A Little Solitaire: John Frankenheimer and American Film. Piscataway: Rutgers University Press, 2011. ---, and John Sakeris. Popping Culture. New York: Pearson Education, 2010. ---. City That Never Sleeps: New York and the Filmic Imagination. New Brunswick, NJ: Rutgers University Press, 2007. ---. American Cinema of the 1950s: Themes and Variations. New Brunswick, NJ: Rutgers University Press, 2005. ---. The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory. New Brunswick, NJ: Rutgers University Press, 2008. ---. A Family Affair: Cinema Calls Home. London: Wallflower, 2008. ---. Cinema and Modernity. New Brunswick, NJ: Rutgers University Press, 2006. ---, and Frances K. Gateward. Where the Boys Are: Cinemas of Masculinity and Youth. Detroit: Wayne State University Press, 2005. ---. Johnny Depp Starts Here. New Brunswick, NJ: Rutgers University Press, 2005. 2

---. An Eye for Hitchcock. New Brunswick, NJ: Rutgers University Press, 2004. ---. Bad: Infamy, Darkness, Evil, and Slime on Screen. Albany: State University of New York Press, 2004. ---. Enfant Terrible!: Jerry Lewis in American Film. New York: New York University Press, 2002. ---. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany: State University of New York Press, 2001. Jonathan Rosenbaum Rosenbaum, Jonathan. Goodbye Cinema, Hello Cinephilia: Film Culture in Transition. Chicago: University of Chicago Press, 2010. ---. Discovering Orson Welles. Berkeley: University of California Press, 2007. ---. Essential Cinema: On the Necessity of Film Canons. Baltimore: Johns Hopkins University Press, 2004. ---, and Adrian Martin. Movie Mutations: The Changing Face of World Cinephilia. London: BFI Pub, 2003. ---. Dead Man. London: British Film Institute, 2000. ---. Movie Wars: How Hollywood and the Media Limit What Films We Can See. Chicago: A Cappella, 2000. ---. Movies As Politics. Berkeley: University of California Press, 1997. ---. Placing Movies: The Practice of Film Criticism. Berkeley: University of California Press, 1995. ---. Moving Places: A Life at the Movies. Berkeley: University of California Press, 1995. ---. Greed. London: BFI Pub, 1993. ---. Film: The Front Line, 1983. Denver: Arden Press, 1983.

3