the bad batch

discovers that being good or bad mostly depends on who's standing next to ... Amirpour recalls the night she met Suki and asked her to play Arlen, .... Rachel Weisz; the independent film Thumbsucker; and Something's Gotta Give, a romantic.
478KB taille 12 téléchargements 100 vues
Presents

THE BAD BATCH A film by Ana Lily Amirpour

(118 min., USA, 2016) Language: English

Distribution

1352 Dundas St. West Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com

@MongrelMedia

Publicity

Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected]

MongrelMedia

Synopsis: THE BAD BATCH follows Arlen (Waterhouse) after she's left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Momoa). With her life on the line, she makes her way to The Dream (Reeves). As she adjusts to life in 'the bad batch' Arlen discovers that being good or bad mostly depends on who's standing next to you. Starring SUKI WATERHOUSE (PRIDE AND PREJUDICE AND ZOMBIES), JASON MOMOA (JUSTICE LEAGUE, Game of Thrones), GIOVANI RIBISI (TED, Sneaky Pete), KEANU REEVES (JOHN WICK)

ABOUT THE PRODUCTION “All of us here. We weren’t good enough, smart enough, young enough, healthy enough, wealthy enough, sane enough…Freaks, parasites. This here is The Bad Batch. We ain’t good. We’re bad.” – The Dream Writer/director Ana Lily Amirpour’s The Bad Batch brings to fruition a radical and nightmarish view of the margins of America, exploring the limits of survival and human understanding, in this dark adventure-romance, with a soaring musical score. It's an epic quest movie, a psychedelic western, a pop-fairy tale, set in a desert wasteland where human-eat-human has become a way of life for societies rejects. Amirpour sees the film as a love letter to America nestled inside a modern-day spaghetti western: “It’s a psychedelic western because it’s not set in the Wild West, it’s kind of modern, almost current time, almost calling back to the 90s and 80s in some ways, and 70s even. I think America kind of has that. The weird thing about America is that if you leave the major cities, it’s a big country of just land. And if you leave a major city and drive even for half hour, or two hours, you’re going to end up in some strange towns that are stuck in past decades.” Amirpour sent many of her crew members Westerns to study before the production began to give them an idea of what she wanted her film to look like, including El Topo, and Once Upon A Time in the West. According to director of photography Lyle Vincent, “We looked at a lot of westerns again, especially Leone, and Once Upon a Time in the West. Also David Lynch, Wild at Heart, especially.” The film is also inspired by the big adventure-romance films of the 80’s like Romancing the Stone, and The Princess Bride. Her creative vision was the main driving force behind the film and its talented cast. “I get to bring a dream space to life and invite very carefully selected people into that place, and I just want them to be there, to be completely molecularly, cellularly, swallowed whole. To feel it, to smell it, to hear the music, and to be relaxed and to have fun,” says Amirpour. Suki Waterhouse, who plays the film’s protagonist, Arlen, recounts Lily’s vision and her dedication to filmmaking, “Lily is the most passionate person I’ve ever met about what she does. And she just loves it. And that is infectious like passion is infectious. It’s like you can crawl the walls of passion.” Keanu Reeves joined as the eccentric founder of The Bad Batch’s Comfort community, echoes “She’s got such a great passion, vision, and again it’s what’s in her head, her body, her soul and her feeling, and what she wants to say,” adding, “she’s got intensity to her, a real intensity, which I appreciate..”

Amirpour spoke highly of her camaraderie between her cast and her crew members, particularly among her director of photography, Lyle Vincent and camera operator Scott Dropkin: “You just get in this like thing together between the three of us, where it’s just like, unspoken, awesome, kind of like, it’s like you’re in a war, those are your people right by your side, because you’re charging Normandy. You know, that’s who you want, they have your back.” Vincent and the crew reciprocated those feelings stating, “She’s an amazing creative leader. She knows what she wants, and she sets out to get it. And she won’t stop until she gets it. And she inspires everyone. She doesn’t like to hide behind the monitor, she likes to get right on set, likes to be right next to the actors. She’s involved with everyone creative, from focus pulling to obviously actors, and the camera operation and the lighting, everything. She’s an inspiration to everyone.” “Being good or bad mostly depends on who you’re standing next to.” – The Dream At the beginning of the film, we meet Arlen as she is being exiled into living among the titular bad batch. Before she can travel very far, she is hunted down and captured by two members of the bridge people. After being tortured, which includes the severing of several limbs, Arlen escapes and winds up in the town of Comfort. “It’s pretty intense,” Waterhouse says, of her role and what it required. “But I’m really keen on the physical stuff of it.” Amirpour recalls the night she met Suki and asked her to play Arlen, explaining what this role would demand of her, “I told her she was going to suffer, physically, mentally, suffer, more than she could imagine. It’s an action movie, with stunts, and prosthetics, shooting in a decayed hot desert, no frills, all pain. And I told her this right up front, to see if she would commit all the way, and she did. She’s a true warrior. And beyond that she has a magic about her that can hold your attention no matter what she’s doing. While Arlen is living in Comfort, she wanders out of the walls of the town and meets Miami Man, who is enchanting to her but also puts her in grave danger. Miami Man serves my purpose,” says Waterhouse. “I’m completely lost and he serves as my solution to have a meaning in this new place where I’ve come and lost my identity. It’s that love/hate thing.” Similar to her previous films, the role of music and sounds become a character in and of itself, for Amirpour music is, “such a crucial element to being creative for me, or just being a human being. I think for a movie, a song feels like a character or a place or a scene, and, sometimes I hear a song, and I just want to create a moment in a film for it to exist, so I think it’s almost kind of like scoring the film to the music, and most people kind of do it the other way around.” Amirpour used music to get the actors and crew members in the right mood to film a particular scene. Production of The Bad Batch proved to be a non-stop battle with the weather, in particular extreme heat and dust storms. Amirpour attests, “there were windstorms. There was a lot of wind and dust and storms…there’s like three kinds of worlds: there’s the junkyard world,

and then there is the desert, and then there is Comfort, which is the town that we shot in. So each town had its own element and personality and the desert was definitely dust storms.” She adds that when these would occur, adjustments had to be made: “But there’s always surprises. Constantly. Like the dust storms, you know, you’re picturing the scene and it’s going to be a certain way, and then suddenly it’s like a fucking monsoon of dust. And you’re like, okay, it’s going to be a monsoon of dust. And then that becomes a part of it.” The setting of Comfort and the surrounding area became an overarching element to the set. Assembling a desert junkyard oasis, Amirpour challenged the cast and crew to use the vast emptiness as a catalyst for their roles. Playing Comfort’s resident DJ Jimmy, Diego Luna attests, “It’s crazy, it’s an amazing world to be a part of. You arrive there and the whole atmosphere and the whole universe exists. It’s beautiful for actors I guess, you can just be, and interact with what’s around you,” adding, “It’s a crazy world, but it makes you, I mean, they didn’t have to build it you know, it’s here.” Playing Miami Man, Jason Momoa describes the setting of Lily’s “fucked up fairy tale” stating, “I think the greatest stuff to shoot in is the difficult stuff. I don’t like, boring, natural, I’ve never really shot inside a studio before. But I think, when you’re going through hell, it’s amazing, and it’s going to look amazing. We’re a very small crew so it’s great because everyone’s real intimate, and I like that you can move quickly, and be out in these elements. There’s nothing out here, it’s beautiful watching the sun come up and then set. It’s fun because you’re just like, wow, surreal.” The world of The Bad Batch would need to be populated with America’s rejects. Amirpour wanted to represent the real people who live in the surrounding desert, off the grid, and in varying degrees of poverty. This required hiring extras from these decayed corners of America, many of whom, don’t have phones, and live in trailers in the middle of the desert. “We have a lot of background that are local people to the area who are not the usual background you would hire in a shoot in New York or LA,” says Second AD Kamen Velkovsky. “They’re local people who live in trailers, completely off the grid.” Amirpour spent months in the year previous to shooting, visiting areas near the Salton Sea, including Slab City and Bombay Beach, and developing friendships with the locals, who became a key part of the visual fabric of the world. “In the end I think those people connected to the whole idea of being “The Bad Batch”, it was an idea they bonded with, they felt there was truth in it,” Amirpour observed, “and I think it shows in the film.” “The chaos of this world is vast and unknowable. We like to think we can understand it, control it, but we can’t. Never have, never will. Don’t plague yourself.” – The Dream

ABOUT THE CAST SUKI WATERHOUSE (Arlen) Suki is most widely known for her career in modelling, having travelled the world securing campaigns for Burberry and H&M, to name just a few. In 2014, she made the successful transition into acting as Bethany in LOVE, ROSIE (2014), a comedy romance alongside Lily Collins, Sam Claflin and in 2015, Suki starred as Marlene inINSURGENT, alongside Kate Winslet, Naomi Watts and Shailene Woodley. The following year, Suki appeared as Kitty Bennett in the cinematic adaptation of Seth GrahameSmith's international best seller, PRIDE AND PREJUDICE AND ZOMBIES (2016). Suki starred opposite Charles Dance, Lena Headey and Lily James. Suki will next be seen playing the lead role in critically acclaimed filmmaker Ana Lily Amirpour's next movie THE BAD BATCH (2016) alongside Keanu Reeves and Jim Carey. Alongside this, Suki recently finished production for James Franco's post-apocalyptic thriller FUTURE WORLD, opposite Milla Jovovich, Method Man, Margarita Levieva and Jeffrey Wahlberg. Also, out this year, Suki will appear as Quintana in the eagerly anticipated BILLIONAIRE BOYS CLUB with Kevin Spacey, Jeremy Irvine and Emma Roberts. Suki can currently be seen on American TV in her role as 'Cecily' in THE WHITE PRINCESS (2017) for STARZ, based upon Philippa Gregory's best-selling novel – and is filming ASSASSINATIONNATION in New Orleans alongside Anika Noni Rose, Bella Thorne, Joel McHale and Hari Nef. JASON MOMOA (Miami Man) Jason Mamoa is one of Hollywood’s most exciting up-and-coming leading men. Recently, after much speculation, it was announced that Jason would play the iconic superhero Aquaman as part of Warner Bros’ massive expansion of DC Entertainment properties, including Justice League and an Aquaman stand-alone spinoff. Jason also recently wrapped production on The Bad Batch directed by award winning writer/director Ana Lily Amirpour and produced by Annapurna Films. As a director, Jason’s talents were showcased in Road To Paloma, a road-tale character-driven thriller shot throughout the American Southwest. Jason co-wrote, co-produced, directed and starred in this independent project which was distributed by Anchor Bay. Jason also appeared as the title character in the LionsGate/Millenium Films reboot of the classic Conan The Barbarian franchise, and opposite Sylvester Stallone in Warner Bros Bullet To The Head. In television, Jason recently completed year two of the acclaimed Sundance Channel drama The Red Road where he is magnetic as the conflicted, engaging “Philip Kopus.” Jason also played an integral role in launching HBO’s ground breaking, Emmy-nominated Games of Thrones with his amazing performance as Dothraki warlord “Khal Drogo.”

KEANU REEVES (The Dream) Keanu Reeves is one of Hollywood’s most sought after leading men, with a box office draw currently over $3.6 billion worldwide. Keanu recently completed production on four films, including the courtroom drama The Whole Truth starring opposite Renée Zellweger, Daughter of God, The Neon Demon and The Bad Batch. In 2014, Keanu starred in the hit action film John Wick, and Lionsgate recently announced that a sequel is in the works. Keanu will next be seen on the big screen in Knock, Knock from director Eli Roth in the fall of 2015. In 2013, Keanu made his directorial debut and starred in the Tai Chi action film, Man of Tai Chi. Keanu also recently starred in 47 Ronin, an 18th century story centered on a band of samurai who set out to avenge the death of their master. In 2012, the Reeves-produced documentary Side By Side, made its debut to critical acclaim. The documentary, which explores the history of filmmaking and the impact of new digital technology, premiered at the Berlin International Film Festival. In the film directed by Chris Kenneally, Keanu interviewed some of Hollywood’s major directors including James Cameron, David Fincher, David Lynch, George Lucas, Danny Boyle, Martin Scorsese, Christopher Nolan, Steven Soderbergh, Lars Von Trier and the Wachowski’s. His list of credits include the blockbuster The Matrix trilogy, Speed, Generation Um, Henry’s Crime, which he both starred and produced; The Private Lives of Pippa Lee written and directed by Rebecca Miller in a supporting role opposite Robin Wright; The Day the Earth Stood Still, a remake of the 1951 classic sci-fi film, starring opposite Jennifer Connelly; the cop thriller Street Kings opposite Forest Whitaker; The Lake House, a romantic drama starring opposite Sandra Bullock, and A Scanner Darkly, a highly stylized blend of liveaction and animation. Reeves also starred in the comic adaptation Constantine, opposite Rachel Weisz; the independent film Thumbsucker; and Something’s Gotta Give, a romantic comedy in which he starred opposite Jack Nicholson and Diane Keaton. Other film credits for Reeves include Hardball, The Gift opposite Cate Blanchett for which he received critical acclaim; Sweet November, The Replacements, A Walk in the Clouds; the hit thriller, The Devil’s Advocate, opposite Al Pacino and Charlize Theron; Little Buddha, and Much Ado about Nothing, opposite Denzel Washington, Emma Thompson and Michael Keaton. Reeves also starred in Bram Stoker's Dracula, My Own Private Idaho, Point Break; and the very popular Bill & Ted's Excellent Adventure and its sequel, Bill & Ted's Bogus Journey. Raised in Toronto, Reeves performed in various local theater productions and on television before relocating to Los Angeles. His first widely acclaimed role was in Tim Hunter's River's Edge. He then starred in Marisa Silver's Permanent Record, and with Amy Madigan and Fred Ward in The Prince of Pennsylvania. Yet another turn came when the actor was cast as the innocent Danceny in Stephen Frears' highly praised “Dangerous Liaisons,” alongside Glenn Close, John Malkovich and Michelle Pfeiffer. He joined other outstanding casts that year in Ron Howard's comedy, Parenthood, and Lawrence Kasdan's I Love You

to Death. Audiences saw Reeves for the first time as the romantic lead opposite Barbara Hershey in Jon Amiel's Tune in Tomorrow, also starring Peter Falk. His additional credits include Tri-Star’s sci-fi thriller, Johnny Mnemonic; Andrew Davis’ action film, Chain Reaction; and the dark comedy Feeling Minnesota, directed by Steve Baigelman for New Line Cinema. GIOVANNI RIBISI (The Screamer) Winner of the ShoWest Newcomer of the Year Award in 1999, Giovanni Ribisi has since established himself as a popular screen presence capable of playing a wide variety of roles. Ribisi just wrapped a cameo appearance in Annapurna’s next feature The Bad Batch, opposite Jim Carrey, Keanu Reeves, Suki Waterhouse, and Jason Mamoa. Last year, he wrapped production on several films, such as Universal Pictures’ Ted 2, the sequel to Seth McFarlane’s smash hit, Ted, which grossed over $500 million worldwide; Meadowland starring opposite Elizabeth Moss, Luke Wilson, Olivia Wilde, and Juno Temple; and Results opposite Laura Dern, Guy Pearce, and Cobie Smulders. Last summer he re-teamed with MacFarlane for the comedy A Million Ways to Die in the West. He was also seen in the critically acclaimed Paramount Pictures’ Selma, with Oprah Winfrey, Tom Wilkinson, and Anthony Anderson, which was nominated for Best Motion Picture and Original song at the Academy Awards. Other films include Universal Pictures’ Contraband and GK Films’ The Rum Diary, based on Hunter S. Thompson’s novel. Ribisi was also seen as part of the ensemble feature Gangster Squad, starring opposite Sean Penn, Josh Brolin and Ryan Gosling. In 2009 Ribisi was seen in the James Cameron feature Avatar, winner of three Academy Awards® and two Golden Globes, and has gone on to be the highest-grossing film of all time. Among his best-known films are Michael Mann’s Public Enemies; Steven Spielberg’s Saving Private Ryan; Sofia Coppola’s The Virgin Suicides and Lost in Translation; Anthony Minghella’s Cold Mountain; and David Lynch’s Lost Highway. Ribisi’s other credits include The Dead Girl; Perfect Stranger; Flight of the Phoenix; Boiler Room; Gone in Sixty Seconds; The Other Sister; Sky Captain and the World of Tomorrow; SubUrbia; Heaven; First Love, Last Rites; That Thing You Do!; The Mod Squad; Masked and Anonymous; and The Big White. Ribisi received an Independent Spirit Award nomination for his performance in Sam Raimi’s The Gift. In addition to his numerous film credits, Ribisi also has an impressive list of television guest starring roles on his resume. In 2007, he gained an Emmy nomination for Outstanding Guest Actor in a Comedy Series for My Name Is Earl. Ribisi also made guest appearances on The X-Files and Friends. Ribisi and his twin sister, Marissa, were born and raised in Los Angeles, where he still resides. Beginning his acting career at the age of nine, he studied theater under the prestigious acting coach Milton Katselas.

ABOUT THE WRITER/DIRECTOR ANA LILY AMIRPOUR (Director, Writer) Ana Lily Amirpour made her first film at age 12, a horror movie starring guests of a slumber party. She has a varied background in the arts including painting and sculpting, and was bass player and front-woman of an artrock band, before moving to Los Angeles to make films. Amirpour's feature directorial debut was A Girl Walks Home Alone at Night (2014), self described as "the first Iranian vampire spaghetti western". The film built up significant buzz when it premiered at the Sundance Film Festival, and was the opening selection for the New Directors/New Films screening series at the MoMA in New York City. The film went on to win the "Revelations Prize" at the 2014 Deauville Film Festival and the Carnet Jove Jury Award, as well as the Citizen Kane Award for Best Directorial Revelation from the Sitges Film Festival. Upon the film's premiere, VICE Media Chief Creative Officer Eddy Moretti, whose company released the film, called Amirpour "the next Tarantino". The New York Times's A.O. Scott also remarked that the film had a "Jim Jarmusch-like cool" and a "disarmingly innocent outlaw romanticism." In the wake of the film's release, Filmmaker named her to their 2014 list of the 25 New Faces of Independent Film. At the 2014 Gotham Awards, Amirpour was given the Bingham Ray Award, bestowed upon an emerging filmmaker whose work exemplifies a distinctive creative vision and stylistic adventurousness that stands apart from the mainstream. Her second film, the savage-cannibal-fairytale, The Bad Batch, stars Suki Waterhouse, Jason Momoa, Keanu Reeves, Jim Carrey and Giovanni Ribisi, and is produced by Megan Ellison's Annapurna Pictures, alongside Vice Films.

CREDITS NEON Presents ANNAPURNA PICTURES Presents IN ASSOCIATION WITH VICE MEDIA A HUMAN STEW FACTORY PRODUCTION Casting By JUSTINE ARTETA, CSA and KIM DAVIS-WAGNER, CSA Music Supervisor ANDREA VON FOERSTER Co-Producers SAMANTHA SCHER JILLIAN LONGNECKER Co-Producers SHERI DAVANI TONY GARDNER Costume Designer NATALIE O’BRIEN Edited by ALEX O’FLINN Production Designer BRANDON TONNER-CONNOLLY Director of Photography LYLE VINCENT Executive Producers EDDY MORETTI SHANE SMITH

Executive Producer MEGAN ELLISON Produced by DANNY GABAI SINA SAYYAH Written & Directed by ANA LILY AMIRPOUR THE BAD BATCH

Unit Production Manager

Tracey Landon Geoffrey Quan

First Assistant Director

Shahrzad "Sheri" Davani

2nd Assistant Director

Kamen Velkovsky

CAST Arlen Miami Man Honey The Dream Jimmy The Hermit Maria Mousey The Screamer Chewy Lone Man Bridge Man in the Desert Muscle Woman #1 Muscle Woman #2 One Legged Dancing Girl Junkyard Amputee Woman Russian Dream Girl Dream Girl Dream Girl Dream Girl Dream Girl Dream Girl

Suki Waterhouse Jason Momoa Jayda Fink Keanu Reeves Diego Luna Jim Carrey Yolonda Ross Aye Hasegawa Giovanni Ribisi Louie Lopez E.R. Ruiz Cory Roberts Joni Podesta Almayvonne Dixon Danielle Orner Mandy Pursley Alina Aliluykina Ashleigh Biller Irene Guindal Nina Mansker Emily O'Brien DaLaura Patton

Dream Girl Dream Girl TV Kid Stunt Coordinator Stunt Utility Production Supervisor 2nd 2nd Assistant Directors

Lana Walling Ndea Williams Eamon O'Rourke Malosi Leonard Teri Garland Wednesday Standley Dillon Neaman Andrew J. Shepherd

Art Director Set Decorator Assistant Production Coordinator Production Secretary Office Production Assistants

Sean Brennan Lisa Son Jes Anderson Joshua Gonzales Cori Elwood Eric S. Gill Lila Ahronowitz

Production Accountant 1st Assistant Accountant Payroll Accountant Post Production Accountant

Holly McGreevy Jennifer P. Winter Paula Rose

Camera/Steadicam Operator 1st Assistant Camera 2nd Assistant Camera

Scott C. Dropkin, SOC Kevin Akers Andrew Dickieson

Dee Schuka

Digital Imaging Technician Digital Utilities Still Photographers

Script Supervisor Assistant Art Director Art Dept. Coordinator Art Assistant

Zack Charney Cohen Jess Fairless Michael Stampler Merrick Morton Darren Michaels, S.M.P.S.P Elena Antzon Erin E. Riegel Michael A. Truesdale Devin McDaniel Drew Yeager

Leadman On-Set Dresser Set Dressers

Ryan Sanson Kyle B. Davio Kyle Redman Andre Rice II Cameron Broder Chris Maxson Derek Crimmel

Property Master

Aaron A. Goffman Paul Butch Kitchen Jr. Mark Gittleman

Assistant Property Masters Assistant Property Masters Gaffer Best Boy Electrician Company Electricians

Michael Roy Harold Lacuesta David Thomas Paul Sartain Victoria Chenoweth

Additional Electricians

Lighting Console Programmer Rigging Gaffer Rigging Best Boy Electrician Rigging Electrician

Yanis Rutmanis Sonoko Shimoyama Derek Hoffman Michael S. Beckman Morgan "Crikey" Smith Ryan Thomas

Key Grip Best Boy Grip Company Grips

Edward Apodaca Steven Brewer Michael Garner Luigi Cortez Jason Juravic Rex Worthy David Maahs Ryan Hueter

Sound Mixer Boom Operator Sound Utilities

Phillip Bladh, CAS Alexander Burstein Kelly Ambrow Joanne Wu Bob Sterry Lance Jay Velazco

Video Assist

Costume Supervisor Key Costumer Additional Costumer Department Head MakeUp Artist

Alma Magaña Adrian Magaña Hilary Janvrin Lisa Layman

Department Head SPFX MakeUp Artist Key SPFX Make-Up Assistant Make-Up Assistant Tattoo Design Department Head Hair Stylist Key Hair Stylist Hair Stylist Location Manager Key Assistant Location Manager Location Assistant Layout Board Fire Safety Officers

Key Set Production Assistant First Team Production Assistant Background Production Assistant Cast Production Assistant Production Assistants

Tony Gardner Hugo Villaseñor Adrienne Lynn Booth Michelle Chung Joe Camacho Lori Guidroz Kimberly A. Carlson Richard DeAlba Dave Conway Lara B. Massengill Robert Swartwood Jr. Matthew Dreyer Edward Chris Johnston Scott A. Dettorre Nick Jaco Collins Zach Warsavage Eamon O'Rourke Charlotte Benbeniste Matthew Gowan Bryce Franklin Mark Jopling Brian Parada

Assistant to A.L. Amirpor

Jordan Wapner Valerie R. Cook Taylor Paige Bakkenson Ray Persaud Christopher Hegarty Casey Feldman

Casting Associate Extras Casting Director Extras Casting Associate

Faryn Einhorn Dixie Webster Laura Mancini

Studio Teachers

Set Medics Construction Medic Construction Coordinator Construction Foreman Propmakers Lead Painter Set Painter Animals provided by Animal Trainers

Laura Galinson Randy Hoffman Jana Raines Lou Noble Charles Corral Luke Worgan James Barron Peter Spain Erik Craig H. J. Strunk Emily Lawless Karen Renée Good Dog Animals Guin Dill Steve Solomon Kyle Hodges Mark Jackson

Special Effects Coordinator Special Effects Coordinator Special Effects Foreman EPK

Publicist Production Counsel

Transportation Coordinator Transportation Co-Captain Drivers

Joe Pancake Steve Pancake Chris Ward Ben Proudfoot Ryan Hendrickson Richard Carlos Eitan Almagor David Bolen Brooke Blumberg Vanessa Fung Jordan Marks Laura Caulfield Kirk Huston Chris Stephens Eric Birch Tony "BigTone" Detiege Angel De Santi Leo Kazanchian Chris "Scotch" Koch Joshua LaGrotta Esteban Munoz Jimmy Otero Matafao Lee Paisa Mark A. Pestonji Alejandro Reynoso Ronald T. Shipps Frank Valle

Stanley Webber Mark Bassler Catering provided by Head Chef Assistant Chefs

Key Craft Service Additional Craft Service Post-Production Supervisor Assistant Editor Clearance Administrator Production Insurance Payroll Services Extras Casting Payroll

Reel Chefs Catering Felix Ramirez Manuel Castillo Christopher Mercado Felipe Vargas Atenos Rangel Abel "Spartan" Garcia Mauricio Solis Gregory Maratea Justin Barham Jay Floyd Dewitt Stern Cast and Crew Sessions

Visual Effects Producer Visual Effects

Dan Schmit Tim Conway

Music Supervisor

Andrea Von Foerster

SPECIAL THANKS Vita Coco Blue Lizard Australian Sunscreen Joe Camacho Panavision Jarritos