TG opalescences


353KB taille 3 téléchargements 222 vues
Turkar Gasimzada  

                                                           

                                               

OPALESCENCE  

 

  05/2012   Cincinnati  .  Ohio.  U.S.A    

  Opalescence  is  a  type  of  dichroism  seen  in  highly  dispersed  systems  with  little  opacity.  The  material  appears  yellowish-­‐red   in  transmitted  light  and  blue  in  the  scattered  light  perpendicular  to  the  transmitted  light.  The  phenomenon  is  named  after   the  appearance  of  opals.  There  are  different  degrees  of  opalescent  behaviour.  One  can  still  see  through  a  slightly  opalescent   phase.  The  more  particles  and  the  bigger  the  particles  are,  the  stronger  the  scattering  arising  from  them  and  the  cloudier   the  particular  phase  will  look.  At  a  certain  concentration  the  scattering  is  so  strong  that  all  light  passing  through  is   scattered,  so  that  it  is  not  transparent  any  more.  Examples  are  the  blue  sky  in  the  daytime  and  the  yellowish-­‐red  sky  at   sunset.  Another  example  can  be  made  by  adding  a  few  droplets  of  milk  to  a  glass  of  water.  The  liquid  appears  bluish  but  if   one  looks  through  the  glass  at  a  light  source,  it  becomes  yellowish-­‐red.  Opalescence  is  an  effect  exploited  in  lustreware   pottery.     Piece  is  dedicated  to  the  memory  of  my  professor  in  composition  Ismayil  Hajibeyov.     Instrumentation:   Alto  flute     Bass  Clarinet   Trombone   1st  percussion  ensemble  (Timpani,  Triangle,  Bass  Drum,  Suspended  Cymbal,  Tam-­‐tam,  Tubular  Bells,  Vibraphone)   2nd  percussion  ensemble  (Timpani,  Triangle,  Suspended  Cymbal,  Temple  Blocks  (5),  Crotales,  Glockenspiel)   Contrabass   Electronics                                  

Performance  notes         Wavelike  groupings  of  given  notes  are  have  to  be  performed  in  any  rhythmical  order  chosen  by  the  performer.     Rhomb  note  heads  in  trombone  indicate  blowing  into  instrument  without  creating  a  certain  pitch  level.     Crescent  symbol  indicates  inhale  blowing  technique  in  trombone.     Repeat  signs  followed  by  the  line  indicate  repeating  of  the  given  musical  material  for  any  desired  amount  of  time  till  the   line  ends.     Electronics  parts  include  patches,  which  are  created  beforehand  and  should  be  performed  live.   Required  equipment  (3  microphones,  2  speakers)     Stage  set  up       1st  percussion  ensemble                                    alto  flute,  bass  clarinet,  trombone                            2nd  percussion  ensemble                                                                                                                                                                                            

 

 

 

               

                                                                                                                                                                     audience     speaker                                                                                                                                    performer                                                                                                                          speaker                        

OPALESCENCE dedicated to the memory of prof. Ismayil Hajibeyov

q = 60

I

Morendo

Turkar Gasimzada (1988*)

10' Alto Flute

Bass Clarinet in Bb

Trombone

 





     

pesante



  p

Timpani

 

Triangle







Cymbals

















 



Vibraphone

Timpani



  



p





p

pp





Temple Blocks







pp

  

       

Electronics













    



f



 



     pp

pesante





ppp









f



let ring



 

pp

       

 

  p



   

rall.

 







pp



 



p





      

p





   

  

  

sul pont.

Contrabass

 

p

Cymbals

Glockenspiel

p

p



Crotales

mf

p

p



Triangle

  



with hand

Tubular Bells



   

pp

 



   

p

sfz

sfz

p



Tam-tam



      

 



Bass Drum

p

mf



p



 











legatissimo

 



ord.





sul tasto



mp reverb / high pass filter: trombone







   f



pp



 

 

  pp non vib. ord.

sul pont.

   p



11'

A. Fl.

B. Cl.

Tbn.

ord.

flt.

 











 Timp.



 

p

 

 



  

  

pp



  



  

 

  



    

gliss.

sfz



Cym.

T.-t.

Tub. B.

Vib.

 













 

 Timp. 

   

pp

  accel.



    

ppp

p



 

 

Cym.



 

 p

Crot.

Glock.

Cb.

El.





   

 

   

  pp



   





pp

p

pp

  

 

 



p

  

 

5:4

    







sfz









pp





p

pp

  



  

p

 



5:4

pp



f



  

sfz







p

  

Tri.

T. Bl.



p

  

mp



 

  

sfz

molto pesante

B. D.



 

p

mf



  

pp

 

f

p

Tri.



p



2

flt.





sfz

 

 

ord.



ord.

  

pp

sul tasto





ord.



sul pont.



h.p. filter: contrabass reverb / high pass filter: trombone



11'

A. Fl.

B. Cl.

Tbn.

     







 Timp.





flt.



ord.

p

flt.

ord.





pp



ord.





p

pp

  

  p



ord.

p

mf







mp



 





B. D.





 

Cym.

T.-t.

Tub. B.

Vib.



    

mf









   





 



Cym.













Glock.

Cb.









  









pp

p





     







pp

 

 p

  







  



 



p

   

 

p











 

mp





   ppp

p

 

 









 

 



pp



pp

p

sul pont.

 



p

pp



ord.



pp



 



 





p



 

 



   

p

 



 



p

 

 

p





Crot.



 

Tri.

p

      sfz

let ring

accel.



T. Bl.



f

 

Timp.

p





p

with brush



   

ppp









pp

Tri.

 



sfz

   

p

sfz

 

3

  



sul tasto

ord.



p

El.







record





11'

A. Fl.

B. Cl.

Tbn.

   



ord.



p



 ord.

flt.

  

p





 





sfz

mp flt.





 

B. D.



 







p

T.-t.

Tub. B.

Vib.

Timp.

Tri.

Cym.

T. Bl.

Crot.

Glock.

Cb.

El.















 

 



 

 



pp

ppp





3:2

p



  

    

sfz

 

p

mp

ppp

 



ppp



 





pp

p

 

pp

ppp







   



  

pp



pp





p



5:4

 









 

 

p













sfz



   

 

   

ppp





 

    





p

  







p

p







pp









 

pp



p

  p

  



  









ppp



with brush

Cym.

  

pp

 



pp

 





 

ppp

Tri.



pp

ppp

Timp.

4

flt.





 

pp

  

ppp

ord.

sul tasto

sul pont.

  



p



play





11' ord.

ord.

A. Fl.

B. Cl.

Tbn.

    



 



 

 Timp.





p





 

pp  

f













Cym.





T.-t.













  





Cym.





T. Bl.





Crot.





Glock.













El.





 

  

 







sfz







 



 





p



Tri.

Cb.

3:2

pp

B. D.

 



p



 Timp. 











 

Tri.

Vib.





p

p

Tub. B.



pp

p



5

ord.

flt.

attaca

II

6

q = 60

Piu mosso

14'

 A. Fl.  B. Cl.

Tbn.

 



 legatissimo





 



pp legatissimo

















 



 

pp

   Timp. Tri.

B. D.

Cym.

T.-t.

Tub. B.

Vib.

Timp.

  

T. Bl.







pp

p

 

 







 

p

     

   

 

p



pp



   



  

pp

    



sfz

   





p



     

  

p



    

f







   

3:2

 

pp



 

p

 

  

 



 









with thumb

 

 

p 3:2

pp

 

  

with hand



with brush

 







gliss.

sfz

3:2





 Tri.  Cym.

rall.







pp









sfz

    

sfz



  





 











   

  



   

  



pp



pp



  











 



pp

Crot.

Glock.

Cb.

El.







 

 





 

p

f



   pizz.

 p





arco

    sul pont. non vib.

    

mp







 



ord.



p

gliss.



pp





           pizz.

 

p



gliss. gliss.

pp

p

sfz



15' A. Fl.

B. Cl.

Tbn.

 

flt.

 





 Timp.

    



mp









p





   





p

pp



   

  pp



Tri.



B. D.











T.-t.

Tub. B.

Vib.



 Timp.   Tri. Cym.

 

    p





3:2











         

p

pp

p

pp

 

   

 p

 

    

p





 

        p



pp













 





    



   

 





p

  

p



    

p

 

p







     

ppp

 













 

 



p

pp

 



p arco



   

 

pp



El.









pp









     

  p

  



pp

p

p

Crot.

Cb.

 















T. Bl.

Glock.



p

     

p



f



sfz

 

p



Cym.

pp



ppp

 



  

7

sfz

    







sfz



  

ord.





p

ord.

          

sul tasto gliss.

pp

p

 arco sul pont.  



sul pont.



ord.

pizz.

 

sfz p



     p

3:2

 

   mp

ord.     sfz

16'

A. Fl.

B. Cl.

Tbn.

Timp.

Tri.

     



ord.











 3:2

flt.

ord.





p





   3:2  3:2   

pp





 



 

accel.

 

p







3:2         

mp









B. D.

Cym.

T.-t.

Tub. B.

Vib.

Timp.





  



f

































 



  









Cb.









 

 

gliss.



 

gliss.



  

 sul pont.          pp

sfz

ord. arco

 



mp

gliss.

 

p



   



  

  

pp

 



ord. .   gglilissss.   





p





  

  

 

  

 

  

pp

pp

 



sul pont. non vib.

  

pp

 

  

p

pp



p



3:2    





 

 





3:2   



p





pp

  

 



pp





 

pp

pp



f



3:2    

     3:2





  

  

3:2

f



pizz.





pp

p

El.





  

p

       

p

f



Glock.







Crot.





p



T. Bl.

f

 

 

 

p



 

  



 

 

with hand







pp

p



 Tri.  Cym.



p

with finger

molto pesante

   

pp

pp







  

3:2

p

pp

pp



3:2

8



 

14'



9

flt.

A. Fl.

 

   





   





Tbn.

Timp.

  

mp













 

  











 

sfz

 p



 p

sfz

B. Cl.



ord.



pp

 gliss.   p

Tri.





B. D.





Cym.





T.-t.

Tub. B.

  











p

   

with brush



pesante









p



 

 f







f



  

gliss.

 



  



  



f

   







p

p























p

    





3:2

 



  



p

  p



 

rall.

  





sul pont.



 

 

pp

 

  

pp





       

p

El.





pp









p



Cb.





 Tri. 

Glock.







Crot.





 Timp. 

T. Bl.







Cym.

 

p

p



Vib.

 



 



ord.

 gliss.   pp

pizz.





p sfz



10

III

q = 45

Misterioso

12'









play whistle tones randomly

 A. Fl. 



  f

B. Cl.

Tbn.















 





 

ff

f

 Timp.

f





B. D.





Cym.





T.-t.





Vib.









 

 ff







T. Bl.





f



 



bow





 

 

 



Cym.

El.





 



Cb.

 

f



Glock.





Tri.







 Timp. 

Crot.

p



Tri.

Tub. B.





"sparkling sound" patch record

 ff





12'

A. Fl.

 





     

ord. f    

flt.

B. Cl.



f

Tbn.



Timp.



ff





B. D.

Cym.

T.-t.

Tub. B.

Vib.

Timp.

       

 

 

Cb.



 















 

3:2

 

 

f



 p

 













 

 

p

 



f

 

   

   

 

   

f

 

   



pp







       



pp





f

 

 





















p



 

pizz.



sfz

El.









  

pp









pp

 



f









f



Glock.











f



Crot.



f with stick



T. Bl.



p

 Tri.  Cym.

 





     

 



       

11

f



f

Tri.

           

"s.p." patch



           

10' A. Fl.

B. Cl.

  



 

 p

Tbn.





Timp.







   

f

  sfz

5:4





 pp

        p sfz





 

Tri.







B. D.





 



Cym.





   



T.-t.













 







Vib.



Timp.

Tri.

Cym.



 f



p



p

  



 







   









 

    

p

    



 

pp

 



p



p



    



 



p



p

6:4

T. Bl.



Crot.



Glock.











p

  

Cb.







pp

 

    

p

  





f

El.





arco





 

f

p





p

p





  

  





f

  











pp



f

f

Tub. B.

f

12

 



play recorded sound file record



 sul pont. s.  glisss. gli

 

ff

 



12'

A. Fl.

 



3:2



air



f

B. Cl.

Tbn.











ff

p



 

 

f

ff

B. D.



  

  p

ppp







 

pp



































 pp



Tub. B.





Vib.





Timp.

 



Tri.





Cym.





T. Bl.















pp



Glock.







 

Crot.



f



T.-t.

 

Tri.



pp





pp

 Timp.

Cym.















 pp







p

  







p



ord.

Cb.

















pp

El.





play recorded material from the 1st section





pp



13

14

IV q = 60

Malinconico

10'

 A. Fl. 

















p

B. Cl.

 

Tbn.



pesante



B. D.





Vib.

Timp.

Tri.

Cym.

T. Bl.

Crot.

Glock.

Cb.

El.



p

















 



p



Tub. B.

p

pp











f









p pesante



p

  

pp

  

 



 

mp

p

 



 



p



 



























pesante





p

p









p

p





  

 



 



 





 





 

pp





 



p

rall.

 

 



 

p

pp



  









 

p

  









sfz





p





  



p











p









 



 

     



f



 

mf

f

  







p

p

 



p







 

sfz

pp

p

ord.

p

 



mf

p

with brush





 sfz



pp

mp



p

p

 





flt.

3:2







ord.







T.-t.





sfz

p

Tri.

Cym.





pp



p

Timp.



 

  

  



 



 

f

 

sparkling sound patch

 



pizz.

sfz



gliss .

   

11'

A. Fl.

  





 



5:4



     





 

3:2           

pp

B. Cl.

Tbn.

   

 



  

ord.

 

ppp

flt.



ord.



p



p





mf

pp









p

pp

 

f

sfz

 

 

 

  

pp 3:2





f

Timp.



f



p

ff

pp

pesante

Tri.



  

B. D.



  

Cym.



  



  

T.-t.

Tub. B.

Vib.

 

p

 









p

p



p



Cym.



  







T. Bl.



              

p

p

sfz

pp





  



 

 



    









      p



p



p

 

rall.

 















p





 

  



  





     





 p

    

 

pizz. glis s.

sfz record





p



p

f

ord.





p

p

p

pp

 

pp

sul tasto





p



 





p



f

f

f legatissimo arco



pesante





 

f





p



El.



p

   



pesante

f



 





p



  

p

pp





Cb.



 

p

 



p

f

p



p





  

  



p



Glock.







Tri.

Crot.

p

pp



   

   Timp. 

   

p

p



15





11' 16

 







Tbn.





Timp.









A. Fl.

B. Cl.

Tri.

with hand

B. D.



Cym.



T.-t.



Tub. B.

Vib.

Timp.

   

 Tri.  Cym.

T. Bl.

 









  

  



p

pp

with brush          



 







pp



p

       

 

 

p





              p

 

f

 



mp pesante





  

 

pp



  



f



 

  













 

   

 

p





 

p

 







pp



f

pp





   

ppp

pp





pp

Crot.





Glock.









Cb.

El.





play recorded music record







11' 17 A. Fl.

B. Cl.

Tbn.

Timp.

 







 

 p







3:2



p

pp

  f

p

sfz



Tri.





B. D.





Cym.





T.-t.





Tub. B.





Vib.





Timp.

 



Tri.





Cym.





T. Bl.









     f

Crot.

Glock.

Cb.





















 

 



 



 

f





  

f







 

pizz.

sfz

El.

 

  

play recorded music









gliss.

 

18

V A piacere

 Timp. 

with hand

 Timp. 

 

 

     

pp





f

sfz

ff

   

sfz

 

pp

     

 

with hand



   





pp

sfz

pp



Timp.

Timp.

   

       sfz





pp

sf

   

f



 

      

sfz

f

p



  

sfz

 

p

pp

   

 

 

p

 



 

    

mp

sfz

pp

p



 Timp. 



    

   



sfz

 Timp. 

p



 

p



  

sfz p





 f

   

sfz



p

 

pp

  p

   

f

      

 

p

f

sfz pp



 Timp. 

   



ff

 Timp. 

 

p

 sfz

 





 



f



 





mf

sfz

  3:2     sfz

  

 

p

  f

 



 

p pp

   

  f

  3:2



p



sfz



  ppp

  p

     sfz

attaca

19

VI

q = 60

Energico

10'

 A. Fl.  B. Cl.

Tbn.

Timp.

Tri.

B. D.

Cym.

T.-t.

Tub. B.

    



legatissimo



 f

 







legatissimo

















 



f



 

 

 p

 pp

  





legatissimo

















 Tri.  Cym.

T. Bl.

Crot.

Glock.

Cb.

El.

  

  





 







 



p

 

f





  

 

f

ff





p





  







 

 









 

f









 

f legatissimo arco

 f



















  

 

 



 

  



 



  

p



3:2







  

with brush





3:2



p









p

3:2











f



let ring







f

sfz p



     

f

3:2



mf







 

 

 



 Timp. 













f



 

3:2

Vib.

  

 

f



f





p





gliss.

 









 

f

pp









p









 







f





 p

 3:2  

 3:2

  mp



sfz

3:2

 

 









 

let ring









sul pont.





  





record





  f

ord. 3:2



       p

 

  

3:2

10' A. Fl.

B. Cl.

Tbn.

   

 Timp.

 





 

     p







f

3:2



  

      







f





20

 







        



p

 pp





sfz



Tri.

B. D.

Cym.











 



   

 





sfz



p







 





f

Tri.

Cym.

T. Bl.













Glock.









Cb.



f







 







f

















 3:2



 

  

3:2





p





pp



3:2







sfz

p

 













pp





pp

f









p

El.



sfz

3:2

f

 



play recorded musical material





p 3:2

 

non vib.





p

f

Crot.

 





p









ff 3:2



 Timp. 







f

 



 f

let ring



p

3:2

Vib.

         

 3:2

 

f

3:2

sfz



T.-t.

Tub. B.



 sfz



 





pp



  

10' A. Fl.

B. Cl.

  

 

 

 p

Tbn.

21

 

 sfz

         







mp

Tri.











p

 

  

Cym.

T.-t.

Tub. B.

Vib.

    

 Timp. 

 



  











p

 sfz

Cym.

T. Bl.

Crot.

Glock.

Cb.

El.

  

 









3:2





p



 







pp

    

f

  

p



bow





 



  







           





p

pp

sfz



ord.

pp

  



 

mp

sfz

p

  p







  sfz

p

 

 





3:2



p



f

 

ord.

p record



pp

                

f

ff



 mp



mp

sul pont.

 

 

pp



ff



ff

  

ff

 

 

ff

 

 



f

3:2



ppp



p

ff

f





  

f

p

 

pesanto with brush









 

 





ff

pp

p

f

p

p



3:2

 

 

  

p

 

3:2

  

 



f

p



pp

pp

3:2



p



f



p sfz



3:2

 

let ring

f





  3:2

3:2

   







3:2    

p sfz

3:2

p



p 3:2





f

 Tri. 

        

 

p

p







sfz

3:2







3:2

sfz

f











ff

ord.

f

pp

p



 

 

          f



 

flt.

f

3:2

B. D.

 sfz

 

legatissimo

 



pp

molto pesante

Timp.

3:2

p

    

p mp



  p f

10' A. Fl.

B. Cl.

Tbn.

 

22



 

 



 





pp

 Timp. Tri.



 

   



 3:2

B. D.

Cym.

T.-t.

Tub. B.

Vib.



   

p

sfz p















3:2

    

 

  p

p

pp

   



p

pp

  





mp







3:2

 

 





 







 



Tri.





Cym.



T. Bl.



    f

Glock.

Cb.



  

 

 

    





 

 p





 3:2 

f

  



ff

   

 

   

 

 



  



     

3:2

 

f







pp let ring



 3:2   



 3:2     

pp

f

3:2





 



 

let ring









 

 



p

  3:2    f

El.

 





3:2

Crot.



3:2

accel. Timp.



pp let ring

 f

f







sul pont.

 

pp

p



ord.

 

pp f

  p

play recorded m. m.

10' A. Fl.

23

 

ord.



flt.

 

p

Tbn.







 



pp





mp





 



p

p





 mp

   p

Tri.

B. D.

 



  3:2

p

mp 3:2







sfz



3:2



 



 3:2     



 

 

 







  



ppp

  p

3:2

p

pp

pp



3:2

f



pp

mp

pp ppp











f

 Timp.

pp







 pp

  



3:2







3:2



     

  





Cym.

T.-t.



pp





  

ppp

  

  

accel.





 

 



Vib.





Timp.

 











Glock.



Cb.



 







 

sfz

 

 

 

 

3:2



   

sfz



 

3:2

sfz







 

p

non vib.

 

f

El.

   







Crot.

 

p



T. Bl.

3:2

3:2



Cym.

 

sfz

p

Tub. B.

Tri.

  

ppp

3:2

   

 

ord.

flt.



legatissimo

B. Cl.

ord.



   













pp record

sfz



play recorded musical material

 

3:2

  

24

VII

q = 45

Tranquillamente

12' A. Fl.

B. Cl.

Tbn.

 





Tri.

B. D.

Cym.

Timp.

Tri.

 

 

 

p

pesante

  p

mf





 

p

sfz

   p

pp

 

  pp











  

 

 

p





    



 





 





f







  





   

p



 3:2      f



    f





  mp





   p

  pp

  







 

      ppp

 

pp

T. Bl.





Crot.





bow















p



Cb.

mp









f



 

f



f

Cym.

Glock.

pp

  

pp





p







3:2







T.-t.

Vib.

 



 Timp.

Tub. B.











 

p

El.





  