Digital Master Cinema, Home Video, Trailers, Test Screenings
Distribution Satellite, Fiber, Packaged
Exhibition Digital Projector Security
10/00 2
Digital Cinema Flow Camera Negative
Scan (2K to 4K resolution)
Digital Video Origination CGI / Visual Effects
Color Correction Big “Avid”
Approval on Digital Projector
Editing
Create Digital Cinema Distribution Master Print Inter Digital Negative Projection Release Prints in Theater Film Projection in Theater
10/00 3
Mastering Committee • First step in conversion to D-Cinema Presentation • Will impact future way we make a movie (digital version at same time as film version) • Evolutionary design of flow • Goal is to set the standards for delivery to theater without interfering with the creative way we make a movie
10/00 4
Goals of Mastering • Digital presentation should do no harm. All versions of D-Cinema should be equivalent or better experience to projected film • The standard should have functionality of film (plays anywhere in the world) • Should not be limited to 35mm film temporal restrictions (24fps) but able to convey other experiences, if desired • A better and more consistent experience for the consumer • More tools for the filmmaker in making stories 10/00 5
Mastering Flows Film Centric Path
Traditional Prep
IP Film Product
Film Product
TK Conversion
Digital Projector
Home Video Product
Data Centric Path Electronic Prep
Digital Cinema Distribution Master
Film Projector
Digital Source Master
Conversion
Digital Cinema Distribution Master
Film Product
Digital Projector
Film Projector 10/00 6
The (Tentative) Answer DCDM Distribution Master (not the editing master) Horizontal 1.85 Vertical (2.39:1) Horizontal
Bit Rate
MegaPELS
DCDM 10D
2048
4928
3808
8.7
Gb/ sec
10.1
DCDM 5.5D
1536
3680
2848
4.9
Gb/ sec
5.7
DCDM 2.5D
1024
2464
1920
2.2
Gb/ sec
2.5
Square PELS 10 bit log color, New color primaries, white point 5500, 4:4:4, Frame rates 24P, 48P, (60P), (72P), Fixed vertical variable width 10/00 7
FUTURE MASTERING AND DISTRIBUTION FLOWS Convert
Film Video
Electronic Prep
DSM Source Digital Elements
RP needed
DCDM
Correction Layers (delta’s)
Convert
CGI
Home Video Product
DSM (i)
RP needed
Spec Needed Container: DPX? Linear colorspace
Convert
Digital Cinema Distribution Master (Description below) Data-Centric path
Film Archive
RP needed
Data Centric
Spec Needed Container: DPX? Defined Profiles Category 1 (sort of 35mm) Category 2 (sort of 70mm) Category 3 (sort of IMAX)
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