Mika - Grace Kelly - Wells'Spirit

“The last time we talked Mr Smith, you reduced me to tears. ... Do. I at tract.. - you, do.. I re pulse.. - you with my quea. D ..... ting- my life. D.
271KB taille 5 téléchargements 434 vues
Grace Kelly Words & Music by Jodi Marr, Dan Warner, John Merchant & Michael Penniman

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q = 124   =  



 

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  

“I wanna talk to you”. “The last time we talked Mr Smith, you reduced me to tears. I promise you it won’t happen again.”



   





 

 

        



           

G



       







D 3

    Do

I

at - tract

3

 you,

   do

I



re - pulse







you

with

my

  









       





1













quea - sy

smile?

 







G











D

 3   Am

I

too



dir - ty,

 3  am

I

too













flir - ty,

do

I

like

what

you





  













 like?

  





© Copyright 2005 Rondor Music (London) Limited (35%)/Universal Music Publishing Limited (35%)/ Sony/ATV Music Publishing (UK) Limited (10%)/Copyright Control (10%)/Famous Music Publishing Limited (10%). All rights in Germany administered by Rondor Musikverlag GmbH and Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.



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D



3

 

3

   

  



I could be whole - some,





I could be











   



 

Why don’t you like









me,

why don’t you

like



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shy.













3





I

try

to







be

like

Grace











mak - ing

me

try?











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D7sus4

    3

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D7











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So

a

I

try

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3

  





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sad.

 

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2



with - out





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Kel - ly

 

but all her looks were too



me



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Am7

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Dm7

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µ

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3

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bit

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lit - tle

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a

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loath - some, guess I’m

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3

3





lit - tle

Dm7

Am7

    





Fred - die.

   





$$ G 











3

 

 

   

  

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I could be brown,

I could be

blue,



3

 

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I



could be



 

 







C/D

 3  



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 





 3

 



 

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 

C

sky.

   



I could be hurt - ful,

 







 

 











 3 



I could be



pur - ple,

 





 

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 

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3

vi

-

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o

-

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3





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 3   3   I could be



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let

3

a - ny - thing you









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 like.

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 



G



      





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               





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mad.

   





3

3

D



      I’ve gone i - den - ti - ty



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Am7/D

   3

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Got - ta

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be green,









  

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3

   got - ta











 





 

be

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got - ta

be





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 3



ev - ’ry - thing

 

3

 

 







To Coda II Ø

C



 



more.

     



  



3

Why don’t you like

   

 







 









C/D

 



3

me? Why don’t you



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me? Why don’t you walk

    





3



  

out

the

    













 







 



door?

 



(Getting



angry

doesn’t

solve

   

 







anything.)





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

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      



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3

    How can

 

I









  



help

it,

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 

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3

   how can

I









  

C

   think?

     



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3

G

   





like

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D

    4





help

it,

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Hel - lo

my

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ba - by,

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how can



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hel - lo



  

my





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I

help

what

you

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3

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3









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 3  

3

3



   

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put - ting my life

on

the

3



 









 

 

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 

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To Coda

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brink.





  

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C

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me,

why don’t you

like

me,

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 













 







   

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  



3

- self?

3



  

Why don’t you like

    



3





   

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 





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Ø Coda I

C



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 



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    



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   



 5



 3

3



 

Say what you want

 

 

 





  

  

 

 

  

    

3





just to

be

 













3

put on

your









  

shelf?

 

 

 



 



    

to

-

tis - fy

sa

   





your - self.





Cm/Eb

 3

 

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 

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C

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3





D

3

Cm7



 



3fr



your -

D.S. al Coda I

old - er



like



 



 

look

 

why don’t you





   



3

 



  

C/D

Should I bend ov - er, should I

 



3

3

  

 

 

      3

But

you

    

on - ly

want

  what



ev -

G

D/F#



-

   

 

’ry - bo



  

-

dy

G/D

 

 

  

 



Em 2fr



else

says

 

 

    



you

want.

 

 











 You

 

C/D







like

 me?

     



 

 





Walk

out

the

   





door.



 3 

blue,

6

3

 

3



C

 

       

3

I could be

 



  

 

 vi

  

 3

-





o 3

  3



-

   

  

I could be brown,

I could be

      



 

 





 3  







let

sky.

I

 

 

 



 











  



3

3

      

  

                         3

D.SS. al Coda II

G







 

D

 

 

    

 

 

Ø Coda II

   

 

5fr



4fr

   

want.

   



should

D7sus4b9

     



C#m7b5

 

could be

hurt - ful,

  





 



 3  I



could be

 







C/D







D



 3   3  

pur - ple,

     



   





  











 



 

 

me?

       



  





 



be



3



 











C

G/B













 





7









more.

Why don’t you like

 

3

 

 

 

3







  



 







 









Walk



out

the



door.













Am7

 

 

G



 

3



 









D





 



me? Why don’t you

 

Em





Fmaj9





 

 

 

 



  (Humphrey, we’re leaving.)

   





 

 

be



 

3

Ooh.

  

 

got - ta

C



 3 









  

be green,





  

Got - ta

 

D





     







3

3

 

ev - ’ry - thing

 



C/D





 



like.



    got - ta



a - ny - thing you

3

like





 



mean,



I could be

 

    

G

  3

  

 

  3

   

   

 

   

 

  

   

 

  

