Moving Filter Bank. Anima is a polyphony-dependent filter bank, animated by an LFO that can produce complex wave effects. Input. ⢠Sets the input level ...
ANIMA Moving Filter Bank Anima is a polyphony-dependent filter bank, animated by an LFO that can produce complex wave effects. Input • Sets the input level, in dB. The meters show the post-fader input level. Filters A single bandpass filter corresponds to every voice of polyphony. All of the filters are controlled together, in the main XY display. • Wdth> If ON, the Y coordinate of the Xy controller in the center of this panel modulates the width of the frequency band that is covered by the bandpass filters. If off, the Y coordinate modulates the phase offset or starting point of the wave that determines the amplitude of the bands. The "missing" parameter can be set with the "Wdth/Phse" knob. • If ON, incoming midi notes shift the cutoff frequencies of the bandpass filters. Note that the actual cutoff frequency as set by MIDI notes is not displayed in the XY panel. • Width / Phase control. If the "Y-Wdth" button is off this knob controls the width of the frequency band that is covered by the bandpass filters in semitones. If the "YWdth" button is on it controls the phase offset or starting point of the wave that determines the amplitude of the bandpass filters. Values between 0 and 1 set the phase between 0 and 360 degrees. • Sets the number of cycles of the wave that determines the amplitude of the bandpass filters. • Sets the resonance of the bandpass filters in dB. The amplification is compensated internally so the resonance controls only the narrowness of the bandpass filters. • Sets the amplification before the distortion unit. The amplification is compensated internally so it controls the amount of distortion. • The XY panel shows a graphical representation of the amplitude and frequency of all bandpass filters. • Display: • X->frequency of the filters • Y->amplitude of the filters • Controller: • X->center of the frequency range that is covered by the bandpass filters. • Y->either the width of the frequency range or the phase offset of the wave that determines the amplitude of the bandpass filters (depends on the "Y->width" button on the left). LFO • If ON, the LFO is synced to the global clock. Its length is then set in 16th notes. The global clock can be started and stopped by the corresponding buttons in Reaktor’s toolbox. If Reaktor is used as a plug in the clock of the host is used. • Sets the cycle length of the low frequency oscillator (LFO). The LFO modulates the phase offset of the wave that determines the amplitude of the bandpass filters. If the "Snyc" button is on the length are set in 16th notes. If off the length is set in milliseconds. • Toggles the waveform of the LFO from triangle to sine wave. • Sets the amplitude of the LFO. • Sets the amount of asymmetry of the LFO. E.g. a triangle waveform turns in a sawtooth with a rising slope if the knob is turned fully clockwise. Counter clockwise it turns into a sawtooth with a falling slope. In the center it remains a triangle waveform. Output • Sets the output level, in dB. The meters show the post-fader output level.
• Dry / Wet control. It crossfades between the incoming signal (fully left) and the processed signal (fully right). • Bypass switch which turns the effect off. When off, the CPU is no longer used. Credits Instrument: Lazyfish, Erik Wiegand Presets: Lazyfish, Erik Wiegand Documentation: Erik Wiegand 2002 Native Instruments GmbH
256-259). 3. Choose Your Class. Choose one of the twenty available classes. Your character's class determines the cost of developing their. Skills and Abilities.
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