“french blue” diamond - Muséum national d'Histoire naturelle

confirms the recut of the royal diamond into what will be called later the ... “French Blue” diamond has lot ist fabulous. “rose de .... the origins, the formation and.
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MUSÉUM

NATIONAL

D’HISTOIRE

NATURELLE

TWO MAJOR DISCOVERIES CONCERNING THE

“FRENCH BLUE” DIAMOND Kings and Fences In 1671, King Louis XIV of France ordered the recut of his 115 carat blue diamond, a polished rough diamond brought back from India by Jean-Baptiste Tavernier in 1668. The resulting deep blue diamond of 69 carat was one of the three greatest diamonds of the French Crown jewels, ornementing the masterpiece of French baroque jewelry: the “Color Emblem of the Golden Fleece” of King Louis XV. In 1792, the diamond is stolen during the French Revolution. The mythic blue diamond will never reappear. Thirty years after, a new deep blue diamond appears in London, within Henry Philip’s Hope collection. The new diamond weights only 45.5 carats and will later be called the “Hope” diamond. Soon, experts started to question: was not the “Hope” recut from the stolen French diamond? However, no replica of the original gem was known to proove this. Until 2008... the French Blue cast

The discovery of the lead cast of the “French Blue” diamond in Paris makes possible the exact reedition of this mythic diamond, unfortunately stolen in 1792.

virtual reconstruction of the mythic “French Blue” diamond, as set originally by Louis XIV. An antique cast of a large diamond was discovered at the Muséum national d’ Histoire naturelle in Paris. A detailled study of the cast, readily showed that the cast is no less that of the “French Blue”, a 69 carat deep blue diamond, previously known t h r o u g h i n co n s i s te n t drawings. Thanks to the latest laser and computer rendering technologies, the mythic diamond was virtually recreated. A computer analysis of the gem, makes it the absolute masterpiece of French baroque lapidary art, thanks to its com-

plex, and great 7-fold symmetry. Also, the computer rev e a l s t h a t i t s ce n t r a l “rose” shines like a blinking sun in a blue sky. This is likely the symbol of Louis XIV, the “sun king of divine rights’. Then, the Color Emblem of the order of the Golden Fleece of Louis XV was also reconstructed (see left) featuring the “French Blue” diamond and numerous other gems. A reedition of the blue diamond has been cut and will be exhibited at the Muséum in Paris.

Louis XV’s emblem of the Golden Fleece, gouache by Monnier and Horovitz

A SECOND DISCOVERY, CONCERNING ALSO THE “HOPE” DIAMOND Also, within the archives of our Muséum in Paris, The discovery of the lead cast of the “French Blue” the cast donor, Charles Achard, a Parisian jeweller, confirms the recut of the royal diamond into what will reports that the diamond was once possessed be called later the “Hope” diamond (now at the by his friend, “Mr Hoppe de Londres”. It is Smithsonian Institution in Washington, D.C., then possible that the London banker USA). Henry Philip Hope was the central Because of this disastrous recut, the great person who purchased the stolen “French “French Blue” diamond has lot ist fabulous blue”. This again means that he was also “rose de Paris’ cut and no less than 20 carats. possibly the central person concerned by However, together with the lead cast, the the dramatic recut of the “French Blue” exact replica of the “French Blue” diamond diamond. This was the dramatic price will be displayed in some near future at to prevent the gem from being legally The « Hope » diamond (image courtesy t h e Mu s é u m n a t i o n a l d ’ H i s t o i r e

recovered by the French government. naturelle in Paris. First, preview it here ! #om the Smithsonian Institution) Farges F., Sucher S., Horovitz H. and Fourcault J-M (2008) Revue de Gemmologie, vol. 165.

MORE INFOS About the discoverer and the Muséum : François Farges , 46, is professor of mineralogy at t h e Mu s é u m national d’Histoire naturelle in Paris (France) and at Stanford University, within the Department of Geological and Environmental Sciences. He is also member of the Institut Universitaire de France and received 3 major international medals and honors. After having studied natural magmas and the behavior of metals during volcanic events, he is now specialized in environnmental mineralogy that aim to understand the relations between mineral and their environnement, particularly, within the biotic and anthropic spheres but also the cultural heritage more infos

The MUSÉUM NATIONAL D’HISTOIRE NATURELLE is an public administrative institution with scientific, cultural and professionnal goals that is relevant to three governing ministeries : teaching and childhood, environnement and sustainable development, and research. Composed by various open spaces for a large audience public, it is also an institution devoted to research and teaching like an university. The Muséum national d’Histoire naturelle (Paris) is officially located at 57, rue Cuvier, 75005 Paris, France. Its statuts are published by law #2001-916 dated october 3rd, 2001. it is represented by its Directeur général, M. BertrandPierre Galey. Press contacts : • Estelle Merceron : 01 40 79 54 40 ; [email protected] • Julia Bigot : 01 40 79 54 44 ; [email protected] • www.mnhn.fr/presse

The authors SCOTT SUCHER Scott Sucher is the world specialist of modern reeditions of historical diamonds, who always considers accurate documents and high quality replicas. Visit his great web site : www.museumdiamonds.com HERBERT HOROVITZ Jeweller and bibliophil in Geneva (Switzerland), Herbert Horovitz specialized himself, on anciant jewellery including the Golden Fleeces. His web site is : www.horovitz.com JEAN-MARC FOURCAULT Mr Fourcault is the technican in charge of the mineralogy collections at the MNHN. That’s him who always opens the right drawer !

The companies Matrix Diamond Technology (Antwerp, Belgium) and Octonus (Tempere, Finland) are warmly thanks for their help.

He works among the laboratory of mineralogie and petrology, also Bibliography : associated to CNRS (UMR 7166) Farges F., Sucher S., Horovitz H. and more infos Fourcault J-M (2008) Revue de Gemmologie, volume 165, pp. 17-24.

At the MNHN, he is also the curator in charge of the French national collections nationales of mineralogy and gemmology. François Farges is attached to the department « Histor y of the Earth » at the MNHN in Paris.

• MULTIMEDIA • The public can admire some of these jewels within the “Virtual Gallery of Mineralogy, launched in june 2008 with TOTAL : www.museum-mineral.fr • section “Bleu de France” • section “Bleu de Tavernier” with 3D pictures (Quicktime® =deZHB>I=HDC>6C AZ Y^VbVci =deZ! Y‚bdci‚ YZ hdc Xdaa^Zg VR technology).

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