AC\DC - Highway To Hell. 1/2.

 = 116

Drums/Batterie : Phil Rudd.

Album : Highway To Hell (Atlantic Records) 1979. 3' 26". Hard Rock.

                      Intro Guitar                       (1)

(2)

(3) + 4 +

(1)

(2)

(3) + 4 +

(1)

(2)

(3) + 4 +

(1) + 2 + (3) + (4) +

1

(2)

(3) + 4 +

                                                                            

                                                                         

Verse



1.,2., 3.                                                                  

              2 2                   

Chorus



                                                                               Transcription : Rufus O'Callaghan. 16 05 2004.

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Verse

AC\DC - Highway To Hell. 2/2.

                                                

                                                                                 

Bridge

              2 2 2                      1.

Guitar Solo

2. 3.                                                            

                       Transcription : Rufus O'Callaghan. 16 05 2004.

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