ensoniq
dp/2 1-Unit RAM Presets (Bank 1) Reverbs

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49

Vocal Plate 1 Synth Plate Vocal Plate 2 Glitter Plate Reflections Zobie Plate Slam Plate Multi Plate Short Plate Bal lad Reverb Close Hall Bright Hall Vocal Hall Concert Hall 1 Concert Hall 2 Summer Hall Famous Hall Movie Hall Huge Empty Hall Dry Room Room 224 Medium Room Dark Room Early Reflects Distant Mics/Rm Conga Room Rev Live Père Room Smooth Non Lin Bright Non Lin Fake Linear Verb Vintage Verb Gated Verb Dark Drum Room Digital Drm Room Smooth Gated Rev DynamicGatedRev Boom Room Kickdrum NonLin Doppler Hall Tiled Room Gymnasium Backstage String Verb French Horn Verb Slap Room Quick Slaps Splatter Plate Small Reflection Small Room Gtr Bat Cave

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(1_Unit Bank 1)

parallel
effects
processor 1-Unit ROM Presets (Bank 1)

Bright with lots of early réfections. Try it on backing vocals. Long, bright decay. Dark, long decay. A bright plate with good spread; try it with drums. Very live plate, with high early reflection levels. High reflection levels and a short decay time. Foot switch 1 -L adds pre-delay. Tight, with short decay. Foot switch 1-L offers longer variation. Foot switch 1-L toggles two decay variations. Short .71 second decay. Dark decay, great on vocals. Second row, center. Big space with hard surfaces. Foot switch 1-L toggles two Different listening positions within the hall. Foot switch 1 -L will alternate dark and bright variations. Big hall with lots of reflections. Foot switch 1-L alters decay time. Starts with médium decay, foot switch 1 -L shortens decay time. Smooth, bright decay; 3.47 decay time. Hollywood soundtrack reverb; a long decay, bright hall with plenty of sizzle. You're in a concert hall ail alone... Foot switch 1-L toggles the HF bandwidth. Tight room Sound with quick decay time. Bright room reverb. Foot switch 1-L will make the room smaller. Extra rear wall reflections can be added with foot switch 1 -L. Non linear reverb simulâtes early echo reflections in a room. Ambience from the back of the room. Medium size room optimized for percussion. Bright live space; try itwith Latin percussion. Great for pop dance drum tracks. Fast decay; try it with drums and percussion. Non-linear hall simulation. Sounds like a loosely tuned plate reverb. Smooth release, great for toms. Small room with very absorptive surfaces. Foot switch 1 -L offers two time variations. Gated reverb with a less abrupt decay. Foot Sw 1-L adds the slapback DDL. Gated reverb puises according to the source's dynamic level. Non linear reverb with plenty of bottom. Medium decay; try it on toms, too. Deep flanging create the doppler pitch bending effect. Short decay time, bight room with hard surfaces. A big open room, long decay. Small room, all-purpose. Long pre-delay adds depth. A dark reverb with a long decay for brass. Small room with an obvious slap echo off the back wall. Small room with hard surfaces and prominent early reflections. Louder early echos thicken & spread. Optimized for synths and lead sounds. Small room, short decay, with a pronounced back wall reflection. Small bright wood room designed for acoustic guitars; also try it with brass. Cavernous open space with long decay time.

Reverbs

Time Based Processing

50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99

Small Room Rev Large Room Rev Hall Reverb Small Plate Rev Large Plate Rev Reverse Reverb RetrigReverseRev Gated Reverb Non Lin Reverb 1 Non Lin Reverb 2 Non Lin Reverb 3 Plate-Chorus 1 Plate-Chorus 2 Chorus-Reverb 1 Chorus-Reverb 2 8 Voice Chorus EQ-Chorus-DDL Lush Keys Wet Chorus Fusion Bass Slow Chorus Fast Chorus NonLin Chorus Sci-Fi Flanger Fast Flanger-Rev Flanger-Reverb EQ-Flanger-DDL Phaser-DDL Flanger Country Keys Medium Flange Tight Flange Key Funk Flange Key Funk Phaze Phaser-Reverb Surf Organ Multi Tap Deiay Dual Delay Tempo Delay EQ-DDL-with LFO FS Tap-Tempo DDL Vocal Spice Slap Vocal MIDI Clock Delay Multi Slaps Mono Multi Taps Ping Pong Delay Pitch Shifter Pitch Shift-DDL Fast Pitch Shift

Foot switch 1-L toggles two decay variations. Foot switch 1-L toggles two decay variations. Large, bright hall with highly reflective walls. All-purpose plate sound with 1 .35 second decay. Decay time is 2.89 seconds. FtSw 1-L toggles slapback echo on/off. CV pedal changes trigger threshold. Each signal that crosses the threshold will re-start the reverb's envelope. Gated Reverb that has a more abrupt release time than preset #31 . Foot switch 1-L toggles two variations in brightness. More stereo movement. Optimized for percussion. Plate reverb runs through chorusing for an extra smooth decay. Longer plate reverb through chorusing; nice on electric keyboards. Smooth chorus into bright plate reverb. Faster chorus rate and shorter decay time. Use foot switch 1-L to add more chorus regeneration for a thicker texture. Foot switch 1-L turns on the DDL repeats. EQ, chorus and delays set up for electric pianos, synths, etc. Chorusing plus delays. Parameters 07 and 08 set delay times. Delays are added to the chorus; great with fretless bass. Slow LFO, less wide, with a slight bit of DDL added. Quicker LFO speed and more width. Smooth chorusing coupled with a quickly decaying plate. Deep flanging bends the signal up & down slowly for instant sound effects. Edit parameter 04 for Different rates. Flanger plus plate reverb combined in one unit. Thick, slow flanging with delays; try it on guitars or synth pads. Deep phase shifting with long delays. CV pedal sweeps the flanger rate. Keyboard phase shifter texture. Try sweeping the flanging rate with a CV pedal during a solo. Deep, slow flanging effect. Medium flanging along with DDL fatten up rhythm parts. Delays with a thick phasing effect; try with clav or percussive keyboard parts. Slow moving phase shifter feeds a plate reverb. Fast phaser create 60's cheesy organ sound. FtSw 1-L toggles two rates. Four delay taps with separate time, level, pan and regeneration amounts. Two delay taps set up for a ping-pong effect. 1/2 note delays at 120 BPM. Set parameters 03 and 04 to your needs. The LFO moves the delay for a fat delay effect. Try changing parameter 06. Tapping foot switch 1-L sets the delay tempo. Tight slap echos fatten the vocal; set tap 1 time to fit your tempo. Two slapback echoes create a classic vocal treatment. Send MIDI clocks to control delay time. Ft Sw 1-L toggles 1/4 & 1/8 delays. Four quick slap echoes; try it on vocals. Four delays in mono; delay times set for 100 BPM. Delays slap from one side to the other. Set rate with parameters 03 and 04. Foot switch 1-L toggles intervais. Harmonies spiral upward; delay controlled by foot switch 1-L. CV Pedal increases the detuning.

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:38

ensoniq
dp/2 1-Unit RAM Presets (Bank 2) Time Based Processing

Amps, Speakers, Instrument Effects

00. Vocal Spreader 01. Tape Stop Effect 02. Slap in the Face 03. Vintage Delay CV 04. Pitch Correction 05. Unique Doubler 06. Octave Shift/DDL 07. Fast LFO Detune 08. Phase-0 09. Dimensional DDL 10. Sparklè PS-DDL 11. 1/16 Note DDL 12. 1/16TripletDDL 13. 1/8 Note DDL 14. 1/8TripletDDL 15. 1/4 Note DDL 16. 1/2 Note DDL 17. Slappin' Bass 18. Orange Phaser 19. Recording Bass 20. Grungy Bass Amp 21. Contemporary Bs 22. Bass Speaker 23. 60's Tube Bs Amp 24. Ratty Fuzz Bass 25. 60's Soûl 26. Roto-Uni-Vibe 27. Dead Battry Fuzz 28. Semi Clean Swirl 29. Super 4-10 Amp 30. Tube Mie Preamp 31. It's the Cops! 32. Happy Fuzz Face 33. Muff Fuzz Box 34. Tube Saturator 35. Octavia 36. SlowAutoWah+Dist 37. Meaty Speaker 38. 2-Speed Vib.Amp 39. 2-Speed TremAmp 40. Shimmer 41. Dark Jazzy Spkr 42. Nasty Fuzz 43. Slide Master 44. Live Clean Amp 45. '58 Tweed 46. CV Wah Wah 1 47. CV Wah Wah 2 48. '66 Car Radio 49. Rhythm Amp

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(1_Unit Bank 2)

parallel
effects
processor 1-Unit ROM Presets (Bank 2)

Amps, Popular de-tune effect with wide panning. Speakers, Great for sound effects; sounds like the abrupt stop of an analog tape deck. Instrument Fourfast delays spread across the stereo field. Effects CV pedal moves the delay time just as you could on an old tape delay. MIDI pitch bend (DP/2 controllers channel) changes pitch; record into a sequencer. Short delays, detuning and feedback loop; try it on synths. An octave harmony through delays. 10 cent detuning with fast LFO modulation. Slow phasing create 3-dimensional spacial manipulation and surround FX. Unique delay preset created with the reverb pre-delay parameter. Swirly vocal effect using a small pitch shift and short delay times. Plays one beat of 1/1 6th notes. 90 BPM, Internal clock controls tempo. 90 BPM, Internal clock controls tempo. Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04. Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04. Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04. Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04. 10:1 compression and bright EQ for slap style bass. Classic stomp-box. CV Pedal adds echo. EQ and compression set up for recording a bass direct through a console. Dirty amp in a room; Foot switch 1-L will toggle chorus on/off. Bass amp in a room with flanger. Toggle reverb off with foot switch 1 -L. Tunable Speaker set up for electric bass. Retro feel and tone. It's that cheesy old fuzz box from up in the attic... Classic fuzz solo sound with flanging. Studio Tools Re-creation of a 60's rotary speaker emulator. Simulâtes that cheesy old fuzz box when the 9 volt's on the way out! Rotary speaker with distortion. Foot switch 1-L toggles speed. Lightly crunchy all-purpose rock amp tone. Insert into a mixer channel for vocals or bass. Wide stereo spread amp tone made famous by the British trio. Raunchy fuzz box émulation for guitars or bass. Classic 70's and 'alternative' fuzz sound. Add warmth and harmonies to anything! Produces a note an octave above the input. Param 1 1 controls the speed of the wah attack. Optimized for single notes. Dark speaker tone with plenty of bottom. FtSw 1 -L toggles 2 vibrato speeds on this somewhat distorted amp tone. Clean amp tone with 2 trémolo speeds; toggle with foot switch 1-L. Fast vibrato effect with delays for guitars or keyboards. Useful when recording single coil pickups direct. Foot switch 1-L toggles 2 Different reverb times. Best on single notes. For rock slide guitar. The auto-wah adds a little random tone variation. Dynamic clean guitar amp with a bit of edge to it. Cool classic amp sound. Use the CV pedal to control the wah. A wah with 2 filters tuned an octave apart, controlled by the CV pedal. Makes any signal sent through it sound likes it's played from a 3" speaker. Slightly distorted amp tone set up for chords.

50. VCF-Distortion 1 51. VCF-Distortion 2 52. Guitar Amp 1 53. Guitar Amp 2 54. Guitar Amp 3 55. Guitar Amp 4 56. Digital Tube Amp 57. Dynamic Tube Amp 58. Speaker Cabinet 59. TunableSpeaker 1 60. TunableSpeaker 2 61. FlngCmprDstRev 62. Wah-Dist-Revrb 63. Dist-Cho-Revrb 64. Dist-Roto-Revb 65. Rotating Speaker 66. Dist. RotarySpkr 67. Modem Blues 68. The Fuzz Box 69. Grilled Cloth 70. The Fuzz Wahd CV 71. Fast Vibrato 72. EQ-Vibrato-DDL 73. Analog Flanger 74. EQ-Tremolo-DDL 75. Fast L-R Trémolo 76. EQ-Panner-DDL 77. Wild Panner 78. Slow Panner 79. Fast Panner 80. Subtle Panner&EQ 81. Staccato 82. ADSR Env Gen 83. Syn Pad ADSR 84. EQ-Gate 85. Parametric EQ 86. EQ-Com presser 87. Vocal Compresser 88. Snare Compresser 89. Expander 90. 1:10 Expansion 91. Inverse Expander 92. Noise Gate 93. Squish and Gate 94. VanderPol Filter 95. De-esser 96. Rumble Filter 97. Instant Oldies 98. Signal Generator 99. No Effect/Silent

Distorted auto-wah tone for guitars, but try it on bass & keyboards, too. Parameter 13 will bypass the distortion portion. Rock guitar tone. Experiment with the EQ controls to shape your own preset. Parameters 1 5-20 offer many tonal variations. High-gain lead Sound. Big stack tone. Tonal changes respond to your playing dynamics. Versatile touch responsive guitar amp simulation. Try inserting this into a track where you need the sound of a speaker cabinet. A versatile speaker emulator with tunable EQ. Combines a tunable speaker emulator with a noise gate. Flanging, compression, and distorted guitar amp in one unit. Auto-wah into a distorted amp with reverb for guitar. Ail purpose crunch with chorus and a médium plate reverb. Foot switch 1-L toggles rotary speaker speed. A clean organ speaker simulation. Overdriven rotary organ tone. Parameter 07 adds more distortion. Contemporary blues lead tone. Foot switch 1-L will turn off chorus. A versatile vintage distortion/fuzz simulation. Rippin' lead tone, circa 1970. Raunchy lead guitar tone with a CV pedal controlled wah wah. Great for guitars or electric pianos. Use a CV pedal to sweep the rate and width of the vibrato. Retro flanging effect that works well with synths and keyboards. CV pedal sweeps the rate, foot switch 1-L adds the delays. Great for vintage electric piano simulations. Three effects in one. Sample & Hold create a unique effect. Slow stereo panning from left to right. Fast left to right panning. Slow panner set for narrow stereo field. Rhythmic staccato effect; change rate with parameter 03. Simulâtes the volume pedal swell popularized by guitarists. Use to re-shape the envelope of a synth, background vocal, etc. 3-band EQ with a noise gate. Versatile EQ with high and low shelving filters and 2 sweepable mid bands. Two effects in one; this variation is set up with 4:1 compression, with no EQ. The EQ-Compressor optimized for vocals. The EQ-Compressor optimized for drums. 1 :2 expansion exaggerates the dynamics of a track. Useful in any situation where you might use a noise gate. Sound that cross below the threshold will be compressed. Set parameters 09 and 10 for your source material. 2:1 compression and a fast gate. Adds high frequency 'exciter' effect. Mix level is critical. Vary the EQ controls will listening to the processed signal. Adjust parameter 03 to suit your program material. Run a loop sample through this to instantly âge it. Foot switch 1-L changes between 1k sine wave and white noise. Mix parameter set to '99' makes it completely silent.

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:39

ensoniq
dp/2 2-Unit RAM Presets (Bank 1) Reverbs

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49

Best Small Space Luscious Plate Versatile Hall Oldtime Plate Tube Plate Trumpet Plate Compressed Plate Horn Verb Twisting Hall EQ/Gate > Hall In the Room Bloom Canyon Dark Verb Warm Room Small Space Amb Star Gate Reverb Smooth Bloom Early & Plate Classic 80s Verb Cloud Reverb Town Hall Nice Small Space Smooth Plate Smooth Hall Parametric Room Pop NonLin Room Gated Plate Warm Hall Drum Verb Tight Pop Drums Drums in Big Rm Dark Drum Room Compressed Room Kick Non Lin Mega Non Lin Wet Non Lin Big Non Lin 1 Big Non Lin 2 Gated Room 1 Gated Room 2 Short Space Big Rock Dr Rm Rock Toms Percussion Plate Rap Boom Room Airplane Hangar Octave Hall Verb Echoing Verbs Flanged Reverb 1 Flanged Reverb 2

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(2_Unit Bank 1)

parallel
effects
processor 2-Unit ROM Presets (Bank 1)

General-purpose small room reverb. Long plate reverb with a bit of chorus for a smooth decay. Dense hall reverb with médium decay time. Use anytime you need a slightly 'springy' reverb. Dark tone, médium decay. Versatile plate with a touch of chorusing. Plate reverb into 20:1 compression. Try it with any brass solo instrument. Flanged reverb; a cool specialty effect. Allows you to EQ and gate your console aux send. An all-purpose ambience to add a little air around your instrument(s). Long decay that builds in intensity. A tunable speaker shapes the tone of the reverb component. Smooth decaying small ambience for guitars, percussion, etc. Very short decay, with obvious early reflections. A vintage digital reverb simulation. A long reverb that slowly builds. Short decay, aggressive plate. Deep chorusing make this reverb unique. Creates ever-shifting soundscapes through psycho-acoustic panning. A small concert hall; try it with piano. Small room tone adds a little air around any track. Long decay; for synths, airy vocals, etc. You're standing on the stage. Small room reverb is fed from a parametric EQ. Try other EQ settings. Small room texture with a non linear component. Plate reverb into a médium length release expander. Long smooth decay; Unit A mix parameter offers many tonal variations. This one rea-ly moves in stereo. Feel free to try this on non-pop drums, too. Add the sound of Studio 1 to your next mix. Medium room with a nice, smooth decay. A classic engineer's mixdown tool. Quick decay pop and dance drum sound. Short decay time; try this one anytime you'd use a room reverb. Similar to the decay from a gated reverb. Pop, dance or techno aggressive reverb. A shorter decay time than Big Non Lin 1 . Parameter 10 centrais the gate threshold. Gate closes slower than in the variation above. Good all-purpose small room ambience. Foot switch toggles two decay times. You're listening to Studio 'A' of a world famous recording studio. Long decay time nonlin and plate. Very quick decay plate. Extra bottom; try running a loop through this one. Big reverb blooms slowly; make monstrous rock drum sounds. Reverb is pitched up an octave. Four loud reflections create a novel timbre. Short decay reverb into sweeping flanger. Long decay reverb into flanging; send a percussion track into this one.

Time Based Processing with Reverb

Time Based Processing

50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99

Phased Hall Feedback Verb Sample&Phaz Verb Spiral Ambience Coordinates Jet Reverb 30th St. Station Parking Garage Bend Dp Reverb Bend Down Reverb Fast Pan Reverb Vocal Magic Chorus & Plate Chorus & Room Phaser & Plate Phaser & Room Flanger & Plate Flanger & Room Delay & Reverb 1 Delay & Reverb 2 TempoDIy & Hall TempoDIy & Plate Sparkles & Verbs Inverse Space Backing Vox-Rock Parallel Rooms Vocal Dbl & Plate Vocal Non Lin Multi Tap Vocals Spécial Sauce Vocal Swirl Plate w/ Doubler Pad Vibe Fat Vocals Big Phased Toms Dbl.DDL and Verb Swirling Notch Feedback Phaser Laser Flange Phasers on Stun Blazing Phaser Sériai Florus Phase & Spread Panning Delays MultiTap&Flange Ascending Delays Pan-Tapstic Spécial Taps 4 Voice Detune Old Tape Echo

Hall reverb is sent into a slow moving phase shifter. Shows the versatility of the feedback loop routing. Sample and hold circuit create a cool spécial effect. The signal is pitch shifted and then sent to reverb in a feedback loop. The flanger is using sample and hold to create this effect. Super-thick flanging applied to reverb. That ambience you can only get in a huge open room like a train station. The underground sound. Reverb is sent to a pitch shifter, bending up, in feedback mode. Reverb is sentto a pitch shifter, bending downward, in feedback mode. Source is sent to reverb, which is then panned left to right. Detuning and long delays into reverb. General purpose chorusing feeding into plate reverb. Try this on guitars or keyboard parts. For a cool effect, use FtSw 1-L. It's set to extend the decay time 140 seconds. Tight reverb with subtle phaser for keyboards, pop guitar, clav, etc. Flanger and delays feed into reverb. Great on synths. Slow flanging effect in a tight room. Four multi-taps into plate reverb. Swirling long delays into reverb. 1/4 note delays. Foot switch tapping will set the tempo for the delays. 1/4 note delays. Incoming MIDI clocks set the tempo for the delays. Chorus with delays and reverb. For guitars, electric pianos, etc. Two reverbs that écho one another. Dense harmonizing into tight reverb. Two room reverbs in parallel routing create one dense timbre. Mono vocal doubling/detuning into plate reverb. A pitch shifter spreads out vocals before they're sent to the reverb. Four long multi-taps create a wide stereo image. Great lush keyboard texture. Adds depth to any vocal track with delays and chorusing. Slap back echos great for fattening backing vocals. Slow chorusing reverb for synths and electric piano. Detuned and doubled into a 12.75 second plate. Spécial effect; Phased non linear reverb. Doubling with long DDL into long reverb. Fat phase shifter into pitch shifter set to detune the source. Feedback loop create unique sci-fi effects on percussive sources. Radical flanging with delays. Super-deep phasing; try guitars, percussion, toms or clavs. Delays and phasers with sample and hold. It's FLangers fed into chORUS, get it? Slow phase shifter feeds into a pitch shifter to spread the sound out. 1/8 note delays with tempo controlled by incoming MIDI clock into panner. Four delay taps fed to a slow flanger. Spacey delay effects that climb forever upward ...... Rich chorus pans in stereo; great for any backing track. Small room reverb is sent to multi-tap delay. Two pitch shifter create a fat detune effect. That old grungy tape écho sound that you used to hâte .......

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:40

ensoniq
dp/2 2-Unit RAM Presets (Bank 2) Time Based Processing

Amps, Speakers Instruments Effects

parallel
effects
processor 2-Unit ROM Presets (Bank 2)

00. Backing Vox-Lush 01. Super Doubler 02. FtSwitchLoop DDL 03. Air Backgrounds

A bit of phase shifter makes a cool texture. Use this to fatten background vocals, synths, etc. FtSw 1-L toggles record/playback modes; delay/loop time is set for 2 seconds. Panning and chorus designed for vocals.

04. Ambient Taps 05. Rhythmic Panner 06. Slap Happy 07. Chorus-DDL-Pan 08. Vibrâtes & Pans 09. Harmonized Echos 10. Major Triad Echo 11. Darth 12. Detune & Spread 13. Slap Station 1 14. Slap Station 2 15. Ambient Flange

Tight multi-taps with a small reverb. Delays pan in the stereo field. Slap echos dancing in stereo. Rien chorus sound sweeps across the stereo field. Vibrato that pans in stereo. Send single notes into this one for best effect. Single notes get made into three note chords. Send a vocal into this to create your own sci-fi voice. Fattens up keyboards, electric pianos or guitars. Simulâtes a classic 8-tap digital delay processor. A second émulation of a vintage delay processor with longer delay times. Long delays are slowly flanged.

54. King-Wah / Plexi 55. Hot Singin Tubes 56. Mot Tube Lead 57. Medium Crunch 58. Voxy Lady CV 59. Ring Mod DDL CV 60. Wah + Echos CV 61. Cry-Fuz+Echos CV 62. Pumpkin Amp 63. Heavy Métal Amp 64. Vain Helen 90210 65. Rocktave Divider

16. Honky Tonk Piano 17. RotoSpkr & Hall 18. RotoSpkr & Plate 19. Lush El. Piano 20. Kbd Chorus & Rev 21. R&B El. Piano 22. Sweet El. Piano 23. Kbd Phaser&Plate 24. E.Pno Phaser&Rev 25. Soft Pad Reverb 26. Digable Guitar 27. Screamin1 Amp 28. Touch Wa Guitar 29. Amp Thru RotoSpk 30. Vintage Roto Gtr 31. Trémolo Amp 32. Fretless Bs Solo 33. Dist. Auto-Wah 34. Country Guitar 35. Super Mute-ron 36. Env Follower &Amp 37. JangJy 60's Gtr 38. Vintage Bass 39. Gtr Dbl & EQ 40. Vibrato Amp 41. Clean Chorus Amp 42. Tube Amp Lite 43. Amp in a Room 44. Pop Rhythm Amp 45. GtrDetune&CV Pan 46. CV+1-1 OctPedl 47. EQ Chorus Gtr 48. Clean Amp 1 49. Clean Amp 2

Play a standard piano through this for an instant bar-room sound. Foot switch 1-L will toggle îhe rotary speed. Foot switch 1-L will toggle the rotary speed. Try it on guitar, too. A cool R&B treatment for electric pianos or synth. Bright chorus and long reverb. A lush pad treatment; great on ballads. Pitch shifted and sent to reverb in a feedback loop. Subtle phaser adds depth to any track. Deep phaser effect. Set up for synths; reverb and chorusing. Fat amp and speaker combo. Heavy lead sound. Auto wah into a distorted amp tone. A favorite 60's guitar sound. Cleaner guitar and rotary speaker for rhythm playing. Cool rhythm sound with reverb. Adds a touch of reverb and chorus. Crunchy amp tone and auto wah-wah. Slap and trémolo combined. Envelope follower effect for guitar or clavs. Stomp box reproduction for funky guitar fills. Makes your rhythm 6-string sound like an electric 12. Warm bass tube amp tone for a retro-60's vibe. Use to fatten rhythm guitar tracks without being muddy. Classic amp tone with vibrato circuit. Chorusing into a dry, clean amp. Lightly crunchy, good for rhythm playing. Bright clean amp, with a little edge. Slightly aggressive big amp rhythm tone. Use the CV pedal to increase the detune amount and to pan the signal. The CV pedal shifts the pitch from an octave down to an octave above. Super-clean guitar tone with chorus, a classic combination! An all-purpose clean amp for guitars, keyboards, etc. Fatter clean amp with more bottom.

66. Electric Sitar 67. Metallic Dobro 68. Fuzzy Tube Gtr 69. Fretless 70. Clean Brit Amp 71. Comp-Vol+Pitch 72. Comp-Vol+Vibrato 73. Touch Wah & Echos 74. Bridge of Sighs 75. Uni-Wah CV 76. Room of Blues 77. Shred 78. Fast Vibrato Amp 79. Got the Blues 80. Twang 81. New Jazzy Amp 82. Chorus/Pan Amp 83. Silver Tone 84. Fat 4- 12 Amp 85. Trem-O-Amp 86. Spinning Guitar 87. Fat Flange Amp 88. Pure Jazz Amp 89. Bottleneck 90. Keyboard Amp 91. 70's Keyboard 92. Chorus & Roto 93. Kbd Phaser w/EQ 94. Auto Vol & DDL 95. Pink Like Floyd 96. Eleven ! 97. Xpressive Fusion 98. Guitar Tuner 99. Bass Tuner

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(2_Unit Bank 2)

Amps, Speakers Instruments Effects

50. CleanAmp 3 51. Vibro Amp 1 52. Vibro Amp 2 53. Clean Auto-Wah

Another clean amp variation, with reverb. Vintage practice amp, with médium speed vibrato. A clean, big-speaker vibrato amp. Input setting is crucial for use with a guitar. Set as high as possible without the peak LED lighting. Fat wah-wah distorted amp combination. Texas blues type lead sound. Warm in-yer-face tube sound for lead guitar solos. Lightly distorted amp tone out in the studio. Wah and amp combo. CV pedal contrais wah-wah. CV pedal does ring modulation. Foot switch 1-L adds the long delay Deep wah-wah with the CV pedal. Foot switch 1-L toggles delays on/off. Crying wah-wah into distortion and plenty of delay. A dynamic close-mie guitar amp. Crunch guitar tone in a room. Orange phaser into plexi amp. CV pedal adds écho. Vintage stomp box reproduction adding slightly distorted lower octave, designed for single note lines. Convert your guitar into an exotic instrument. Makes your guitar brighter and more metallic, like the métal bodied dobro. Lots of tube amp saturation. Compression and EQ-Chorus-DDL optimized for fretless bass. A semi-clean amp in a room. A great rhythm tone. CV pedal is set as a volume control; sound is compressed and up an octave. CV pedal swell volume into a deep vibrato amp sound. Auto wah with DDL. Classic uni-vibe/amp combo. Subtle phaser with CV pedal wah-wah. Blues guitar tone with dynamic distortion. Dark, fat, heavy métal power chord tone. Retro garage band tone. Smooth bright lead sound with a touch of distortion. Slapback echos and a bit of distortion make a great rockabilly tone. Clean, dark amp tone with a bit of chorus. Clean amp with chorus and reverb that pans left to right. Small practice amp turned up to '9'. CV pedal functions like a volume pedal. Thick, distorted rock tone. Extrême trémolo effect, with a crunchy amp tone. CV controls trémolo speed. Puises with trémolo while spinning around in stereo. CV controls trémolo. Chorus feeds the flanger/amp chain effect. Just speakers and some reverb. Mot just for guitars! Lots of sustain, some distortion and slapback écho. Try this to simulate the sound of running keyboards through a small amp. Phase shifter and a panning speaker cabinet for vintage electric piano tones. Suitable for keyboards, organ or guitar; chorus feeds a rotary speaker amp. Classic stereo electric piano effect. ADSR generator fades in each note, which is then sent to dual delays. Psychedelic fuzz guitar tone into sweeping phaser and ping pong delays. Cranked up amp designed for power chords. ADSR auto volume into crisp lead tone. Ft Sw 1-L toggles two fade in times. Setup for guitar or other treble clef instruments. Setup for bass clef instruments.

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:40

ensoniq
dp/2 Config RAM Presets (Bank 1) One Source Configs

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22

Mono Vocal Setup stereo Vox Setup Mono In Keyboard stereo In Keybrd Live AcousticGtr Rock Gtr Setup Rhythm Gtr Setup Clean Gtr Setup R&B Gtr Setup Bass Setup Compresd&Chorusd Gtr Slap & Chorus Fine Wire Mesh Frosty Reverb Northern Plain Diffuse Swell j Big, Low Ceiling Spring Reverb Springy Slaps Hall a Looya Pan the Halls TakeMeOutToThe.. B-15 Bass Amp

Use for lead vocals live or when mixing. Compresser and some de-tuning. stereo input for backing vocals. Compressed and de-tuned. Parametric EQ and chorusing. Set up for a mono input from your keyboard. Smooth phaser and chorusing. EQ into reverb; try plugging into the front panel Input 1 if you use a pickup. Fat, distorted amp and speaker combo. Plug in to Input 1 on the front panel. Full bodied, lightly distorted amp and speaker combination. A clean amp sound with chorus and reverb. Plug into front panel Input 1 . A clean amp sound with chorus and reverb. Plug into front panel Input 1. Parametric EQ into a compressor for direct recording. 3:1 compression into chorus for keyboards or guitars. Pop and R&B clean guitar effect. CV pedal alters the chorus blend EQ/Gate into a large, bright, shimmery plate. EQ/Gate into a large room reverb. Great on toms. Huge open spaces. For ambient music. Slow attack reverb for spécial effects. Underground parking lot reverb sound. Slightly wobbly old-time reverb. 4 fast delays with plenty of régénération create a cheesy spring reverb effect. Deep chorus, delays and hall for synths, choirs, ethereal effects. Hall reverb pans across the stereo field. CV pedal changes the panning rate. Voice spécial effect. You're at the ballpark, listening to the announcer... Simulation of a classic bass amp tone for recording.

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Tube Bass Amp McPick Bass 80's Slap Bass Smooth Bass Stick-Man CV-DDL Reggae Bass Octave Bass CV Env Filter Bass Classic 70s Bass Z-Box Fat Bass stereo Grunge CV Regenerate 3-DDDL Chorus & Pan Delays into Comp Exciter & DDL Slap Me Silly

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effects
processor Config ROM Presets (Bank 1) 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72

1 Src: Mono In 1 Src: stereo In Select 1 U Preset Vocoder 2U Vocal Remover Vocal EQ & Comp Live Vocal Chain 3.6 Sec Delay 2U Pitch Shift 2U Detune Chorus 2U Warm And Fuzzy Wonderful Space EQGateChorPlate EQGatePlateChor 70's Road Rig Bkd Vox Spreader 8 Panning Delays Analog Heaven Euro Verb Echo Synth Verb Dark Taps Jazz Vibe DynGatedSIapVerb

Bass amp with subtle edge. For mute style pick bass a la that Liverpool guy. Adds a touch of DDL for slap solos. Compressed and lightly chorused. Progressive rock tone with phasing. Muffled bass tone from the islands. De réel ting! CV pedal sweeps between lower or upper octave. A filter that doesn't rob low frequency punch. Input level setting is critical. Bright and slightly phase shifted. Try it for jazz. Punchy bass tone with plenty of compression. Double amps. CV pedal moves from cleaner to more distorted. Cool sound effect. Thick pitch shifting and phasing with feedback routing. Delays that seem to move around your head; great headphone effect. For direct recording of keyboards. Unit B parameter 03 controls pan rate. Dual delays feed into a 2:1 compressor. Adjust parameter 01 of Unit A for a more intense effect. Multiple delays through slow phasing create a unique techno effect.

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Rock Snare 1 Rock Snare 2 Kick & Sn Crack! EQ & GatedReverb Plate&MuIti Slap Schroeder's Room Non Lin Panverb Quick Plate Little Big Room Brass Ambience Neat Place Chorus Line Diffused Delays Modulators Cryslalline Frontiers Ducker & EQ

40 Cymbal Phaser 41 TapeflangeVerb

A spécial effect designed for hi-hat or ride cymbal grooves. Simulâtes analog tape machine flanging of 2 reverb sources.

90 FS stereo ADSR 91 MIDI Automation

42 43 44 45 46 47 48 49

Very small delay times create the effect; vary the times to change the filter notches. Move the CV pedal while listening to a percussive source; great spécial effect. No input necessary; sit back and watch the alien dirtbike race! Dual speakers add a unique EQ to vocals, loops, etc. Killer sound effect. Input 1 level sent to Envelope Follower is critical. Non linear reverb through a pitch shifter. Warp a drum beat with this unusual timbre. The DP/2 create a sound effect for you. No input signal required.

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Comb Filtering Twisted Métal CV Virtual Dirtbike Cet Rappified Monster Drum Pitch Down Drums Sick Drums Science Lab

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(Config Bank 1)

One Source Configs

Compress&De-ess De-Ess & Reverb De-Essed Delays Drum Squasher KeyedExpander&EQ Résonant in E! EnvelopeShaperCV Gobi Désert

Sélects from the list of 2 Unit presets in RAM and ROM. Sélects from the list of 2 Unit presets in RAM and ROM. stereo input. Sélects 1 U presets; kills Unit B. Send trigger signal to Input 1 and signal to be vocoded to Input 2. The settings of parameters 1 0 & 1 1 are critical hère. Parametric EQ and a 6:1 compressor. Vocals are compressed and then sent to de-tuner and slap echos. Set for the maximum delay time, 3668 ms. Set for detuning; Foot switch 1-L toggles LFO mod on/off. The 2U pitch shifter is used to create a fat chorus sound. An all-purpose smooth decaying, warm space. Tricky sériai routing makes a great percussion space. For any source that can be chorused. EQ and gate shape the input. For keys, percussion, etc. Gate keeps the input quiet, EQ shapes the reverb. A vintage speaker and phase shifter combination stereo in; four voices of de-tune and panning. Two multi-tap delays pan from left to right. Lush ambient space designed for analog synth textures. Reverb with a techno edge. Try it with synths or drums. Feedback loop create a super thick long delay and reverb texture for synths. Muted delays; great rétro feel. Smooth space designed for vibes or mellow brass solos. Play a groove into this one; gated reverb puises to the beat, triggered by the threshold settings, parameters 08 and 09. Aggressive tight reverb. Quick slap delays and non linear reverb. The ADSR is used to shape the reverb. Input level is very important. Signal is EQ'd then sent to a gated reverb. Try it in sériai mode, too; an interesting variation. Big drum room. Cold, hard, but home. Non Linear reverb that moves across the stereo field. Small plate for brass and guitar. An extra large room with a smooth decay. Fatten up that brass sound with some slap echos and tight reverb. Classy reverb cbmbo. Super thick 16-voice chorus; stereo in. Delays with a unique decay character, perfect for solos. Phaser into flanger. Foot switch 1-L toggles delays on/off. Adds a pair of de-tuned octaves to thick chorus; for synths, guitars, etc. Gentle phasing into delays that ping-pong and shift slightly in and out of tune. Input 2 contrais the volume of signais sent to Input 1 . Remove trigger sound from mix with parameter 04 Foot switch 1-L will trigger the beginning of the ADSR envelope. Mod wheel received on controller channel triggers envelope. Record moves into a sequencer for automation. Set up for stereo input vocals. Vocals are de-essed and then sent to a plate reverb. Vocals are de-essed and then sent to dual delays. Very aggressive drum tone; signal is limited after passing through reverb. Input 2 'keys' the expansion for signais sent to Input 1. Run a percussion séquence through this for a unique expérience! CV pedal moves from a staccato envelope to a longer swell envelope. Dry, dry, dry. Utility effect, use in song chains when you need a bypass effect.

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:41

ensoniq
dp/2 Config RAM Presets (Bank 2) Two Source Configs

00. Basic Mixdown 01. Drum & Père Mix 02. Vocal Delays 03. Country Rm&Plate 04. Radical Drums 05. Bright Lush 06. Dark Medium 07. Pères Keys 08. Short Lush 09. Reflections 10. A Little Air 11. Voc Sweetner 1 12. Voc Sweetner 2 13. Voc Sweetner 3 14. Voc Sweetner 4 15. Vocal Toys 1 16. Vocal Toys 2 17. Fat Bass + Harm 18. MtdGtrChr+Spac 19. Mix Tools 1 20. Mix Tools 2 21. Mix Tools 3 22. Tiled + Nonlin 23. Orchestra Spaces 24. Short+Long Halls 25. 2 Tight Rooms 26. 2 Boom Rooms 27. 80's BD/SN Rev 28. Slick Dance Revb 29. Short Jazzy Amb 30. Wide Rooms 31. Piano Chambers 32. 808 Spaces 33. String Spaces 34. Orch Chambers 35. Twin Speakers 36. Panner Phaser 37. Flanger Phaser 38. Roto and Dirt 39. ReverseVariation 40. * Available * 41. * Available * 42. * Available * 43. * Available * 44. * Available * 45. * Available * 46. * Available * 47. * Available * 48. * Available * 49. * Available *

Effect Modulation is based on factory default settings.

EnsoniqDP2_PatchList.xls(Config Bank 2)

Plate reverb and a tempo delay. FtSw 1-L will toggle 2 reverb decay times. Two room ambiences set up for drums and percussion when mixing. Long dual delays in Unit A and tight slap echos in Unit B. A: Country Room, great on guitar. B: Country Plate, Classic slap/plate effect. Two Different non linear reverbs. Unit A: Bright plate reverb. Unit B: Lush plate-chorus for elec. piano, keys, etc. Unit A: Dark large room reverb. Unit B: Thick plate with deep chorus. Unit A: Tight reverb for percussion. Unit B: Plate with chorus for keyboards. Unit A: Short decay room for percussion. Unit B: Plate & chorus for keyboards. Two Different highly reflective spaces. Room ambiences that are perfect for adding a little air around an instrument. Unit A: Subtle detune. Unit B: 1/2 note tempo delay, internai clock 120 BPM. Unit A: More detuning. Unit B: 1/4 note tempo delay, internai clock 120 BPM. Unit A: Thick detuning. Unit B: 1/4 note tempo delay, internai clock 120 BPM. Unit A: Detuning. Unit B: 1/4 note tempo delay, MIDI clock controls tempo. Unit A: Fat vocal detuning. Unit B: Slapback echos. Unit A: Quick slaps spread the vocal out. Unit B: Ping pong delay. A fattener for synth or electric bass plus a de-tune harmonizer. Chorus for electric guitars plus a small space ambience. 1/4 note delays and plate reverb for vocals. Internal tempo control. 1/8 note delays and plate reverb. Internal tempo control. 1/16 note delays and 3-second plate reverb. Internal tempo control. Two tight, aggressive spaces. Two large hall reverbs for orchestral sections or soloists. Unit A is dark with 3 sec. decay, Unit B is brighter with a 4.5 sec decay. Two variations. Small room ambiences that add a little space around a track. Two variations. Small, live rooms with reflective surfaces. A tighter reverb for the bass drum with a longer ambience for the snare. Two Different ambiences for drums, percussion, etc. Two tight ambiences for adding a bit of room sound. Different room tones, all-purpose. A pair of reverbs that are optimized for piano. Two complementary reverbs for drum machine percussion instruments. Two spaces that are designed for strings and orchestral soloists. Two Different reverbs for orchestral instruments. A pair of speakers; insert them into mixer channels to shape guitar sounds. Unit A is a stereo panner; Unit B is smooth phase shifter. Try them with synths. Unit A is a flanger; Unit B is a phase shifter. Set up as console inserts. Rotary speaker in Unit A; Unit B is a distorted amp. Great for adding grunge. A pair of variation on the reverse reverb algorithm. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère. Save your own custom Config preset hère.

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effects
processor Config ROM Presets (Bank 2) Two Source Configs

50. 2 Src: stereo Out 51. 2 Src: Mono Out 52. Chorus + Delay 53. Slaps + Plate 54. Vocal Detuners 55. Pair of Plates 56. 2 Digital Halls 57. Explosive Halls 58. Drum Rooms 1 59. Drum Rooms 2 60. Dry Kick & Snare 61. Wet Kick & Snare 62. 2 Vintage Rooms 63. Tight + Wet 64. Echos and Hall 65. 2 Bright Plates 66. 2 Smooth Plates 67. 2 Country Verbs 68. 2 Monaural Rooms 69. Mono Plates 70. 2 MIDI ClockDDLs 71. 2 MONO Delays 72. 2 Slapback DDLs 73. 2 Tempo Delays 74. 2 FS Tap Delays 75. 2 Dual Delays 76. 2 MultiTapDelays 77. 2 Mono Choruses 78. Phaser Flanger 79. Mono Slap Echos 80. Double Chorus 81. Phaser Chorus 82. Dbl&Slap-Chorus 83. Organ Roto Spkrs 84. Kick, Snare Comp 85. EQ'd Drum Comp 86. Mixdown Warmer 87. 2 Tube Thickners 88. Dual EQ&TiteGate 89. Album EQ w/Gates 90. stereo Téléphone 91. 2 Limiters 92. Dual Exciters 93. Dual Expanders 94. 2 Inv. Expanders 95. Dual Cmp & Gate 96. 2 Noise Gates 97. 2 Fast Expanders 98. Dual Rumble Fltr 99. 2 Parametric EQs

Both units are processed separately and then mixed to one stereo output. Each unit is processed independently. Dual mono; useful as channel inserts. stereo mixed output, setup for sending from console aux sends. Long plate reverb and slapback delay. Two Different stereo detune settings for lead or backing vocals. Diffuse plate with nice depth & a large plate with exceptionally smooth decay. Clear, bright, aggressive vintage digital verb simulations. Two variations. Very slow attack with thunderous buildup. A pair of small spaces; send 2 signais from your console to Inputs 1 and 2. Two more small spaces; send 2 signais from your console to Inputs 1 and 2. Tight mic'ed kick sound along with a snare reverb. Big rock kick drum and snare drum reverbs. Small and large vintage digital reverb simulations. Chorus and slapback echo in Unit A; Tight plate in Unit B. Set up in mono for channel inserts. Delays in Unit A, Hall reverb in Unit B. Small and large. Mixed stereo output. Small and large. Mixed stereo output. Small and large; for guitar, vocal. 2 Different small ambiences. Two Different mono plate reverbs, long and short. MIDI clocks appearing at the MIDI IN jack will set the tempo. Dual mono mode is used hère; useful live or as a channel insert when mixing. Dual mono mode; setup for channel inserts. Internal clock. Dual mono mode; Unit A is 1/4 notes, Unit B is 1/8 notes. Use Foot switch 1-L to tap the tempo. Unit A is 1/4 notes; Unit B is 1/8 notes. Each unit has Different delay times. Each unit has a Different set of four delay times. Use as insert effects when mixing. Phaser in Unit A; Flanger in Unit B. Use as insert effects. Two sets of slap echos; Unit B's delays are longer than Unit A's. Two stereo chorus units; try blending some of each for electric piano. Phaser in A, Chorus in B for electric keyboards. stereo output. Doubling and slap echos in A; Chorus in B. Beef up wimpy organ sounds. B is more distorted. Use as console inserts. Two compressors for drums; use as console inserts. Two identical compressors, with EQ, for controlling live snares and toms. Tube saturation émulation. Two identical settings. Insert across mixer channel for warmth. Each channel goes through its own gate and EQ. EQ with a slight bass and treble boost. Extrême EQ. Two identical settings. Two identical settings. Dual mono mode; setup for channel inserts. Adjust parameters 03 and 04 to suit the source material. Two identical settings. Use as console inserts when mixing. Two 15:1 ratio inverse expanders. 2:1 compression on each channel. Parameters 09 and 10 adjust the thresholds. Two 1 :30 ratio expanders. Use as console inserts. Filters frequencies below 150 Hz on each channel. No boost or eut is applied; try your own settings.

Effect Modulation is based on factory default settings.

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Le 18/03/2009 à 19:43:41